Nott has, since the project’s inception, been about ultimate heaviness and bleakness. I’ve known this one-man project since the Obsidian Depths EP, and I have also downloaded their first work, Devouring Deities. All of them fulfilled my needs for insanely heavy, slow, dissonant and distorted music. The new arrival, Abyssal, is no different.
Spewing the tale of the God of Hatred eradicating humanity, Abyssal takes us to new musical depths. From what I can tell, he’s tuning in A or A#, which is pretty damn low, supporting the concept of the abyss and surely … Read more
Before anything, I wanted to make a quick research on what “hinayana” meant. First of all, it’s taken from Buddhism, in which it means “small vehicle”, and here’s a small quote about it, taken straight from Wikipedia:
I was quite content with Abstract Deviation‘s last album, Layers. Even with all its flaws, it was a fun listen and it was something just a bit out of the norm: djent with progressive, electronica elements, and female-fronted. This time is now gone.