In today’s class, we’ll move out of the world we’re used to–the Western music world, that is–and move to South India, around the region of Karnāṭaka. We’ll have to learn much of their musical vocabulary, although we’ll try to draw parallels with European classical music as much as possible, since I assume we are all more familiar with it. But, even when parallels are drawn, the two terms are never going to mean exactly the same thing, so it’s important to keep in mind the worlds that separate Western music from Karnatic music.
This video has been the instigator of … Read more
Whew, we’ve recently gone from a very new concept, microrhythms, to a fairly advanced discussion on polyrhythms, polymetres, and polytempo. I hope that this season of Advanced Mathematics is enriching to you! Today, we’re going to talk about notes inégales – uneven notes –, what kids today call “swing feel”. It goes much deeper than what you probably imagine, and I hope you’ll learn something today!
The Triplet Feel
Most prevalent in jazz and blues music, the swing feel usually involves altering the length of two consecutive and equal notes. The most common example of this is the … Read more
The notation used was originally made by Urs Liska over at Lilypondblog.org.
In music, as in life, you can have relationships with whoever you want. In both cases, however, cultural and popular acceptance of this freedom is only in its early stages. Many countries still forbid homosexual relationships, just as many musical genres frown upon polynumeric rhythms. Today, we’ll take a look at polyrhythm, polymetre, polytempo, and non-dyadic – also mistakenly known as irrational – time signatures.
If you haven’t already, please read our previous post on microrhythms.
What is a polyrhythm? Simply enough, it’s two or more … Read more
Sorry, Adam. To be fair, I’m probably wrong, too…
Youtubers Adam Neely and 12tone recently posted videos about a concept they call “negative time signatures” (click on their names to see their respective videos). There is certainly no consensus on this, as far as music theory goes, and there maybe never will, but it’s an interesting hypothetical question nonetheless. I’m writing this post because I think I have a different way of seeing this concept from Adam and 12tone’s. It’s not better, it’s not worse, just different, as there is no widely accepted definition of the term. But before introducing … Read more
I recently wrote an article, on Heavy Blog Is Heavy, about twelve-tone technique, dodecaphony, tone row system, whatever you want to call it (read it here). And while it was fun, I only could go so deep into theory, not to alienate the diversity of readers, each with their own proficiency in music theory. So, this exercise got me into gears and I now want to do more of this, and go as deep as I personally can, so I’m beginning the Advanced Mathematics series, where I’ll pick a topic that takes from both math and music and try … Read more