Best Music of 2018 (Not Clickbait)

Well, it’s been a great year for music, and especially can’t-even-be-called-music. Seeing as the year is just about over, we’re going to wrap up with a list of the best albums of the year. We are glad to say that CTEBCM is and remains at the forefront of music journalism, and we are proud to present you the first top 5 of the year! Who really wants to wait until 2018 is actually over to decide what was best? Not us! Let’s stop pretending that releases in December matter. In fact, we can safely assume that nothing that comes out … Read more

Invalids – Fulfillment

The Music

The Words

After delegating the bass duties to Nick Shaw of Black Crown Initiate and using programmed drums for years, I’m glad to see guitar virtuoso Pete Davis move his project Invalids to a full band formula. As the first release under this new lineup, Fulfillment has a lot of expectations to… fulfill.

I won’t be pressing F for the programmed drums, as you’ll have guessed, and the stellar performance of Joe Scala means that you won’t even look back to the days of yore. On bass, Nick too left big shoes to fill, but I’m glad … Read more

Chaos Echœs with Mats Gustafsson – Sustain

The Music

The Words

Mats Gustafsson is a giant in the world of free and avant-jazz. One of his latest works, on Fire! Orchestra’s Ritual, is just purely mind-blowing, as is the album in its entirety. Seeing his name alongside Chaos Echœs, one of the best contemporary forward-thinking black metal bands — their album Mouvement made it onto our February recommendations —, is just as much as a surprise as it is cause for excitement.

The collaboration, titled Sustain, is made of two parts of equal length that achieve a deranging, dense atmosphere that’s as far from … Read more

Moteur! – En traits libres

The Music

The Words

Moteur! is a French avant-prog band who released its debut self-titled album almost exactly a year ago. En traits libres is their most recent output, and it makes some changes on the basic formula. First of all, the band is now totally instrumental, and I can’t say I miss the vocals of their first opus; moving them out was a wise move. Secondly, the then-trio welcomes Yacine Rabia on bass guitar and becomes a full-fledged quartet! That adds a layer of sound, something that wasn’t really lacking, but that is nonetheless appreciated.

The band favours completely … Read more