Shipley Hollow, Awes, Jonas Engel & Thea Soti, Loplop, Monogamizer, and Kimura

Shipley Hollow – Infinite Zest

Toronto-based math rock band Shipley Hollow just released an incredible EP of catchy odd-timed songs that follows up from their 2017 Eating the Entertainment and improves on its formula! The title itself is brilliant on its own, but the various tracks on the record, alternating between instrumental and vocal tracks, are great and a lot of fun so don’t miss out on it!

Awes – Modern Love

Awes are awesome, Their 2018 demo already drew comparisons to Hella from me, and this one, their actual debut album, only goes further in all the things they were going for. Fans of aggressive math rock—not quite mathcore but close—this is a must!

Jonas Engel & Thea Soti – I Noise, You Lion (Gotta Let It Out)

The duo of Jonas Engel and Thea Soti offers us an unforgettable experience on the album I Noise, You Lion. Voice and saxophone is a rarely heard format, but this album proves us the cathartic power it has to convey emotions and tell stories. The tracks here are heart-wrenching in their own, very peculiar ways. It’s quite a journey to go through, and it makes me yearn for more reeds and voice duo.

Loplop – Loplop (Gotta Let It Out)

Loplop is a newly founded free improvisation trio from guitarist Jon Lipscomb, bassist Dan Peter Sundland, and drummer Ole Mofjell. Their self-titled debut is outright incredible! They perform hectic, spastic, pugnacious improvisations that never seem to take a break. This is something I crave! It’s an exhausting album to go through, challenging the listener and daring them to keep going, but the reward is intensely gratifying.

Monogamizer – Purgatory’s Hype Men

Monogamizer is a hard-to-define entity. It seems to me that “progressive death metal” carries too much of an Opethian vibe and longform propensity to correctly represent the band’s short and to-the-point compositions that are nonetheless rife with off-time signatures, modulations of all sorts, and unusual song structures on a death metal canvas. “Mathcore”, on the other hand, doesn’t qualify for the opposite reasons. So, imagine something between these two and you’ve got a pretty good idea of what they sound like. But, you know what’s better than that? Actually listening to them.

Kimura – Kimura

Argentine sludgy mathgrind? Sure! Whatever! Out of all the amazing things happening in their sound, Ismael Pérez’s drumming is the one that hit me the most. It’s intense and varied and creative and I’m just blown away by these snare rim shots, they’re just so nasty! Seriously one of the most bone-breaking releases of the year, and, at over twenty minutes, is quite a long album for the genre. That means you get a lot of chaotic stuff (the best stuff)!

On December 31 2019, this entry was posted.