Ecstasy. Joy. Paradise. Cosmos. “A surrealistic journey through the heavens drenched in sorrow.” That’s how American blackgaze band Ghost Bath describes Starmourner, a direct sequel to a trilogy which started with their 2015 release Moonlover, a forty-two minute exploration on humanity’s melancholy and depression; it managed to be one of my favorite releases of that year due to the beauty encased within its dark sound. Two years later and signed to Nuclear Blast, one of metal’s biggest labels, Ghost Bath returns with the aforementioned Starmourner, their longest and most ambitious album to date, changing their topics to deliver … Read more
Category Archives: Review
Mini-Reviews LXX
Pete Bailey is a guitarist from Canada, and his debut solo album, Omniscience, is downright butter. The jazz fusion-inspired melodic progressive metal on display is smooth and tasty. The programmed drums is good enough to not be an inconvenience – and it has somewhat become a staple of the solo prog artist -, but I would favour its abandon for the future. Otherwise, the music in there is pretty much flawless! It’s truly an amazing EP from a promising musician, so check it out!
Legend John Zorn has released a new album, quite recently: The Garden of Earthly Delights… Read more
Mini-Reviews LXIX
French band L’effondras, or ⊙, released quite an impressive instrumental post-rock album, in Les flavescences. From X to XII, Les rayons de cendre to Phalène, the band explores buildups and variations in relatively short pieces (from six to nine minutes). It’s really well executed, and it’s seriously some of the best post-rock I’ve heard. On XIII – Le serpentaire, however, they take things to another level, in a thirty-four minute epic. Though it’s closer to a twenty-four-minute song with a ten-minute ambient extroduction consisting of nature recordings. The whole album is fascinating, and utterly … Read more
Mini-Reviews LXVIII
Looprider is a Japanese post-rock band who just delivered Umi, a twenty-five-minute song and EP. A little something special about the band is the fact that they have two drummers, a thing that is usually seen in more experimental genres. This piece is quite interesting; it build up momentum throughout its pretty long structure, and manages to take a few detours, left and right, to sprinkle the journey with slightly odd but interesting moments. It’s mostly instrumental, but features some calm vocals too.
MRW (pronounced em-er-vu) recently released Gwarectwo “Hrabia Renard” rok 1934, a twenty-two-track EP of mad … Read more
Mini-Reviews LXVII
The suffix ‘-gaze’ has certainly been on the rise, lately, and, even with my former disliking of the budding subgenre, I’ve come to appreciate it more and more. Planning for Burial apply the term to a new genre, creating doomgaze. It’s my first time listening to something like this, and I value it a lot, now! Below the House is charged with emotion and heaviness, staying low and slow, with a very raw sound to it. The album comes out on March tenth, and it would be a great idea to listen to the available songs now to make your … Read more