Instar – The Ex nihilo Cycle

Instar is a narration-driven progressive metal band based in Austin, Texas. Their debut album, the self-titled Instar EP, came out in January of last year, and was a pretty interesting insight into what the project could become. With their debut full-length coming right around the corner, we get a better glimpse into the promising future of their formula. As for what they currently offer, I’ll be reviewing that right here.

First of all, narration-driven music can’t be good if the narration itself isn’t. In a day and age where the posh British accent is revered amongst many media – just … Read more

Logan Strosahl Team – Book I of Arthur

Classical music and jazz are opposite and unreconcilable ends of the musical spectrum. Clearly, Logan Strosahl and his Team have never heard such words of warning, or, if they have, they foolishly ignored them and ventured forth. To the wise man’s surprise, however, they have returned victorious! Holding in his hands three tomes and chanting in a mighty parade, Logan handed one of the books to the old man and he looked at it with much confusion, assaulted by the unorthodox fanfare. Unfortunately, as is most common in the sixteenth century, the man was illiterate. There is no moral to … Read more

Botanist – Collective: The Shape of He to Come

I was a proponent of Californian experimental black metal project Botanist, when their debut double album, I: The Suicide Tree/II: A Rose from the Dead was released, back in 2011. At the time, it was new and pretty much unheard of, at least not widely so. The following albums, however, felt like mere reiterations on the same themes and a simple reorganization of the same core sounds and ideas; no matter how long you shuffle your salad, it’s still going to be the same salad. That’s why I was [cautiously] optimistic for Botanist’s new project: there was no roman … Read more

Rivener – Rivener

The Connecticut free rock duo Rivener sent me a message about their 2016 album, Svengali Gaze, about which I had mixed feelings – a sentiment I still hold. On September first, they released its successor in this self-titled package of about one dodrant-hour long. Here, I feel a stronger sense of vision and unity within the duo, which translates into semi-improvisations serving much more convincing purposes. The songs on Rivener are oddly reminiscent of Omniataxia‘s “Scatterwhite” in their construct and in their final forms. The band definitely borrows a lot from free jazz, but they apply their knowledge … Read more