The ambient black metal of American quartet Chaos Moon is unleashed upon the world with their fourth full-length, Eschaton Mémoire. Their usually quite expansive compositions are shrouded in thick fogs of ambient guitars, which sound just like keyboard pads. The album’s forty minutes follow an interesting pattern of tension and release that really drive this album home. Be sure to not miss this unique and intense release.
Giant Claw – Soft Channel
Keith Rankin’s musical collage project is an odd and interesting piece of, how to call it, experimental vaporwave? The plunderphonics-based experiment is a challenging piece of modern electronic music that’s slightly abstract and very artistic.
Sridhar Varadarajan – Imperfect Things
Oh, yes, math-infused post-rock, a style with delicacy and tenderness, appealing to emotions by constructing evocative passages that are assimilable by nearly everyone. Despite the broad and quasi-populist nature of it, there is some tremendously great music to be found. I think Sridhar’s little EP is very good, and much worth your time.
Thot –… Read more
Latvian experimental atmospheric black metal band Eschatos have released a promising album, last year, in The Grand Noir, and they’re already back at it with their EP Mære. It consists only of an eight-minute track and a fifteen-minute, three-part epic, but displays in that short amount of time great leaps from its predecessor. The first part of “The Night of the White Devil” is one of the most emotionally intense pieces of black metal I’ve recently heard, with some passages reminiscent of Oathbreaker, with the broken voice Kristiāna Kārkliņa pulling those same strings. Mære is a great EP, … Read more
Angel Marcloid’s musical essays with Fire-Toolz paid off, as many lauded the black metal and vaporwave crossing sophomore Drip Mental. Now with the third iteration – Interbeing – finally out, we get to ask ourselves: “What more is there to say?” On the one hand, many of the praises and critics of Drip Mental still apply. The odd but fascinating offspring of two radically different musical genres is still as good, if not better, than ever – imagine slowed-down, funky pop tunes from the eighties (or an original composition aimed at mimicking that aesthetic) with screams and blast beats … Read more
Floom – Multi-Voice of the Immensity
It is with a rather questionable portmanteau that guitarist, flautist, and singer Maxx Katz present to us a sludgey, droney doom album filled with flutes and female vocals. The band is an all-women trio, with Christina Fleming and Cathy Monnes supporting Maxx with vocals. The riffs are great, all drowned in fuzz and distorsion, and the flutes are just the icing on the cake.
Kodian Trio – II
The second album of the Belgian free jazz trio is even better than their first. The dynamics between the guitar, the saxophone, and the drums are… Read more
You don’t often see, or hear, a troupe of classically trained musicians making progressive rock music along with an all-female vocal trio. Yet, as its name alludes to, Knells II is the second album of New York’s The Knells, a band united under Andrew McKenna Lee’s vision. The compositions are rather short and to-the-point, but are meticulously written with many intertwined layers more akin to a woven tapestry than merely a bunch of parallel threads. Knells the Second is a direct successor of the first of its name, superior in every regard – except in duration. The Knells was … Read more
Moloch was a defining album for me. As one of the first, and, above all, best, albums truly bridging the gap between jazz and metal into a strange form of palatable yet challenging avant-garde jazz record. The Polish quintet is now back with their third release: Million Miles. Their newest takes up where Moloch left off – kicking and screaming –, and offers us an experience that’s almost as searing as its predecessor. However, instead of pure abrasive power, Million Miles is more delicate, tasteful, and mature than its older sibling. They obviously still share the same genes, but … Read more
Squintaloo is a German experimental progressive rock quartet, and they released their latest album, Über Bord!, in June 2017. Their style is eclectic and modern, drawing many comparisons to even some more out-there math rock and prog rock outfits. While very rooted into harmonic cohesion with a rather simplistic melodic approach, most of the eccentricity comes from the structures, the odd rhythms, and the layers of effects that affect the guitar sounds. That is not to say that those two aspects are not well done or that playing them doesn’t require a high degree of musicianship from the players’ … Read more
This Norwegian experimental math rock duo is about as colourful as the cover art for their latest album, Las Napalmas. Released in late October, the 34-minute album is a playground for effect pedals on the part of Simen Følstad Nilsen on guitars, and for odd rhythms from Tobias Ørnes Andersen’s drumkit. The result is an energetic, almost punkish vibe that emanates from the singing strings and beating drums. If you’re into the likes of Yowie, or would like a more experimental The Physics House Band, look no further than Aiming for Enrike.
Dreamgrave – Monuments, Part 1: The Anxious
Hungarian progressive metal band Dreamgrave have released the first part of their Monuments trilogy: The Anxious. The Mad and The Imperious are to be released nine to ten months apart. Their sound borrows a lot from progressive rock, with many a softer passage, laden with violins and soaring vocals, but the harsher metal nature of the band shows itself already on the second track, “Monuments”. It starts oozing of Diablo Swing Orchestra’s signature swing riffing with female vocals and violins accompanying the drums and bass foundation. Not too long afterwards, the riffs … Read more