Clément Belio is, quite simply, making the music of the future.
I don’t say this lightly. It’s a common (trite) trend, to call experimental music the “music of the future” (or, for extra pretense, the “Music of the Future”), acting as though some EP recorded in the bedroom of your favorite obscure indie band is going to herald in a new era of music.
I don’t know if Clément Belio’s music is going to herald anything in, per se, but I would still describe it as the music of the … Read more