Pelicrane, the monstrous hybrid bird, which happens to play some experimental math rock, just released goin2church. First off, it has strong Yowie and Doom Salad vibes, which is something I can totally swallow. There might also be some Hella somewhere in there. The thirty-three minute album consists of ten tracks of harsh instrumental math rock that is challenging and interesting.
What I dislike about Indian band Orchid is their production. Their compositions are pretty good, but the vocal emphasis is way too strong, and spoils the overall experience. However, if you can put that aside for a minute … Read more
Category Archives: Review
Colosso – Obnoxious
Colosso are a band that have fallen under the radar for many, but with the release of their latest album Obnoxious it seems they may finally be on the cusp of carving out a well deserved niche for themselves.… Read more
Corima – 天照
Corima is a Zeuhl quintet from California that released their first album in 2007, followed by the acclaimed Quetzalcoatl, in 2012, and now 天照 (Amaterasu), which came out on November second, 2016. It features two compositions spanning fifty minutes and split into nine tracks. It was released on the label Soleil Zeuhl and is also available to buy on bandcamp.… Read more
Mini-Reviews XXXII
Mandroid Echostar only recently released their latest album, Coral Throne, on bandcamp. And… well, it’s all right. While it doesn’t reach Citadels‘ level, it’s a pretty good jam! For those who don’t know the band, they’re an alternative progressive rock band from Ontario, Canada, who’ve been often compared to Coheed & Cambria, but I think that’s unjustified. They’re more prog and generally better, musically, than the sci-fi rock band.
Bands Selvans and Downfall of Nur collaborated for a collaborative release, which came out on November sixth through Avantgarde Music. Both sides feature some form of atmospheric black metal … Read more
Mini-Reviews XXIX and Site Update
This iteration of Mini-Reviews marks a new step in Can This Even Be Called Music‘s. Since our inception, we’ve been growing further and further from review scores because of the many problems inherent to them. The previous step was the shrinking from percentage scores to a simplified, three-level system, but it still retained many of the problems that any scoring system has. Namely, they oversimplify an often complex and subtle appreciation of a piece of art, they cannot represent integrally the complete written review, they can be misleading, and people might only look at the score without even reading … Read more