Author Archives: Dæv Tremblay
Dadabots Researchers Feed Archspire Music to AI to Generate an Endless Stream of Procedural Technical Death Metal
Disclaimer: The following text was written by Talk to Transformer, a neural network that completes your text.
These songs have a much clearer edge that humans have over bots that can play a few songs and then automatically die when the song plays out. Humans can do that. In the past bots that can play a few tunes and then lose and fail instantly are found.
The same idea was used to create a song called “Mushroom Hill” from the song by Radiohead that was featured in a 2013 episode of Game Music.
I’ve seen music bots being used … Read more
Weekly Release Dump
Saturday, 4 May
Blast Furnace – Reality Television: Television Reality [EP] (free jazz, grindcore)
Chicago, Illinois
Blast Furnace – Stigma [EP] (free jazz, grindcore)
Chicago, Illinois
IZ – Il desto onironauta (jazz fusion, progressive jazz)
Zoppola, Italy
Sunday, 5
Erin Royer – After the Moment (contemporary classical, jazz fusion)
Perth, Australia
Soulsplitter – “The Moloch” [Single] (progressive metal)
Germany
René Lussier, Quinos, Mark Guiliana, Zlatko Kaučič, Spoelstra, and Sferos
René Lussier – Quintette (Pasunecenne)
I’m pretty late on this one. Even though I’ve been eyeing it for some time, I never actually wrote about it. René Lussier is a well-known figure in the avant-garde community of Québec, and Quintette is but his latest effort, and it came out in Autumn 2018. The featured quintet is nothing but usual: featuring René on electric guitar and daxophone—a sort of amplified piece of wood—Julie Houle on tuba and euphonium, Luzio Altobelli on accordion, and Robbie Kuster and Marton Maderspach on two independent drum sets. The ten compositions found on the album are … Read more
Marathon: Understanding Ratio Morphing
I’ve already written a bunch of posts on microrhythms and have since created a little free program to help create microrhythm in MIDI files. Now, I want to try and give a better explanation on how morphing works.
Morphing occurs when you put two rhythms in opposition. Let’s take the fairly easy example of the traditional Gnawa three-note rhythm. The two conflicting rhythms here are the straight triplet and a quintuplet feel “swing” version of itself. This conflict is made abundantly clear by Malcolm Braff’s conception of it.
Triplet notes (below) conflicting with a quintuplet swing version of itself