Weekly Release Dump

Friday, 9 August

Anna Pest – The Ocean Calls Me Home [EP] (deathcore, melodic death metal)

Montréal, Québec

The Contortionist – Our Bones [EP] (alternative metal)

Indianapolis, Indiana
On eOne Heavy

David Bruce – The North Wind Was a Woman (contemporary classical)

UK
On Signum

Flexity – Oura (breakcore, chiptune)

Russia

Gland – Fun in the Sun [EP] (death metal, deathgrind)

Ottawa, Ontario

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Best Metal of 2018

There was a lot of good music in 2018. That is to be expected for any year; there are just so many artists and musicians out there that are creating, constantly… The absolute number of musical releases is utterly daunting and insignificant by its sheer size—it would be impossible to listen to everything released in a given year—but I’ve truly given it my best, listening to a total of 2,257 albums, EPs, and splits from this year alone (an average of over six releases every day). That is without mentioning older albums, or albums from 2019 that I had the … Read more

Monthly Recommendations: April 2018

Chaos Echœs with Mats Gustafsson – Sustain

The collaboration, titled Sustain, is made of two parts of equal length that achieve a deranging, dense atmosphere that’s as far from black metal as it is from free jazz. The album is closer to dark ambient music, in general. Mats’ saxophone lines are most often drawn out and melancholic, and backed by the infinitely reverberating guitars, distorted bass, and hectic percussions of Chaos Echœs. I was expecting something bombastic, relentless, and heavy, but I am more than pleased to be surprised thusly.

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Cosmo Sheldrake – The Much Much

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Monthly Recommendations – September 2017

II II II – Frequency Illusion

What is there to say, honestly? The works presented on this full-length album takes what the band’s debut was all about, but with slightly better production and composition overall. You still get the mathy riffs, the jazzy grooves, and the hardcore-style vocals, but you get more of them, and you get only the best of them.

Mini-review.


Rivener – Rivener

The band definitely borrows a lot from free jazz, but they apply their knowledge of it successfully to experimental and noise rock. Well, maybe it’s just not jazz by omission. Lay down some saxophone

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