The Spanish duo of Pablo Selnik and Àlex Reviriego, Inhumankind, was one of the surprises of the Spring. It would seem indeed rather bare to have a flute and double bass duo alone play songs inspired by black metal! Fortunately, the two musicians are joined by three competent singers: the harmonized vocals of Celeste Alías and Marta Valero, and the growls of Eric Baule. At first, I didn’t expect much — many projects claiming to bridge classical music and metal have come and gone without any memorable release —, but Inhumankind are able to keep … Read more
P.O.N. was a Japanese jazz fusion band active in the ’90s, and whose only release is this obscure self-titled album. I wanted to talk about it, however, because it is still relevant in today’s world due to its high production value and contemporary sound. P.O.N. features forty-five minutes of blazing saxophone, guitar, and vibraphone on top of a Zappaesque backing band.
How so? Well, if the regular rhythmic modulations — frequently shifting from straight eighths to many different n-tuplets — didn’t tip you off, you might as well be deaf. However, it is, in my opinion, much more … Read more
The general free-flowing complexity of zeuhl music and the band name We Pyrrhic Conquerors suggest a sizable ensemble of musicians, performing with some level of loose improvisation. Yet Bandcamp informs us that the richly composed The End Is Nigh is the product of one Joey M. Bishop. That’s about all the information I can glean about the artist; there’s no Facebook page to refer to, no specific location given (Bandcamp tags the project as United States, but the drums were recorded at a studio in Indonesia?), and even Google currently returns zero results for the band … Read more