Sweden’s band Palmless just released their debut album, The Nine Exits, on bandcamp. If I were to be bold, I’d say they play post-blackgaze, but this wouldn’t paint the whole picture. Indeed, they seem to pour post-rock tendencies into their blackgaze compositions, or perhaps it’s the other way around, and, on top of that, there is a bit of noise rock and dark pop all wrapped in an indie vibe that permeates throughout the album’s half-hour runtime. The guitars are barely distorted, mostly receiving the overdrive treatment, and the bass guitar is almost totally dry, too. The drums don’t … Read more
The Swiss avant-garde black metal quatuor, not satisfied from having released perhaps the best triple-album ever just last year, is already back with The Maldoror Chants: Hermaphrodite. It’s sold as an EP, but crosses the thirty minutes threshold that is commonly used to distinguish EPs from full-lengths; it has seven tracks, but the whole thing feels like one continuous journey into the obscure places of our mind; it’s a work of art that goes above and beyond the traditional scope of black metal and the avant-garde… Indeed, the band themselves wrote that Hermaphrodite is an ‘artistic experiment’, and it’s … Read more
Sheen Marina describe themselves as a ‘surf-noise’ band. However, I think that’s doing their music a disfavour, as it cannot be completely covered by this umbrella term. In their upcoming album, Travel Lightly, there are also strong flavours of math rock and avant-prog, which can hardly be foreseen with the ‘surf noise’ label. This thirty-minute album consists of nine tracks with varying degrees of interbreeding with the other aforementioned genres, all over a pretty clear, reverb-drenched surf rock basis. ‘WYSC’, for example, is almost a straight-up math rock song, with complex rhythms and odd time signatures, while ‘Nose Ring … Read more
French quartet Asylon Terra recently released Blind Man Running, their first, full-length release. Between contemporary jazz, ambient music, and progressive rock, the compositions of Pierre Lordet, clarinetist of the group, take shape on this entrancing album. Anne Quillier, about whose sextet we already wrote, takes seat behind the omnipresent keyboards – the Rhodes and Moog -, while Lucas Hercberg takes bass duties, and Clément Black takes care of the drums. The whole is an astounding result. Blind Man Running will take your breath away. The vast soundscapes played here will submerge you, and even the harder-hitting compositions – … Read more
Ontario’s Grizzly band just released their second publication, Reaper, and it rips. Don’t get fooled by the opener, ‘Grave’, this is not horror ambient, but rather some crushing and technical experimental grindcore. You can see this right on the second track, but they keep on providing extra crunchy riffs with weird timings and rapid successions of notes. Though it is barely more than ten minutes long, excluding the Pantera cover at the end, this EP shreds mountains. I guess mathgrind wouldn’t be too far-fetched a description, as it certainly has aspects of both mathcore and grindcore working together. Reaper … Read more
An Anthology of Human Sickness is the debut EP of UK-based solo symphonic deathgrind project The Clockwork Deity. At under ten minutes long, it’s quite a short EP, but the three songs plus introduction are more than good enough to warrant a good time. While the symphonic elements were more upfront on ‘Spontaneous Abortion.’, the other songs integrate them fully and naturally to the grinding compositions. It’s quick, it’s aggressive, full of blast beats and technical riffs, and with a touch of classical music in the orchestration. The Clockwork Deity manages to craft something rather unique and entirely good. … Read more
In the world of progressive rock and metal, instrumental albums are pretty common so it’s a bit hard to stand out. Mammoth absolutely manage to do this with their new album Deviations. Impressive playing paired with amazing production quality and beautiful tones prove that these guys are at the top of their class.
The first song, ‘Entanglements’ sounds like an entanglement of instruments weaving wonderfully through each other. Impressive guitar arpeggios and solos are complemented by ambient keyboards and intense drums. The middle section of the song calms down with a bright clean section that builds back up into … Read more
Devin Townsend has gone many different musical places in his career, frequently doing something drastically different that what he’s done before, most notably on his first four albums in the Devin Townsend Project with Ki, Addicted, Deconstruction, and Ghost. Transcendence is no exception, as it takes his sound to a new level. On this album, Devin took input from the rest of the band, musicians he’s been working with for 10+ years, and relinquished some control to them. Because of this, the band sounds more united than on other recent DTP albums, like Epicloud and Sky Blue.
This was brought … Read more
Karmakanic’s fifth studio album, Dot, is a progressive rock album inspired by recent writings by Carl Sagan. Frontman Jonas Reingold stated that this inspiration stemmed from Sagan’s quote about the picture of the earth that Voyager 1 took in 1990 from the outer areas of our solar system. “Look again at that dot. That’s here. That’s home. That’s us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter … Read more
That’s the new project of Hunter Hunt-Hendrix, most famous for being the brain behind the American black metal band Liturgy: Kel Valhaal. Borrowing the name from a song on “The Ark Work”, the latest of his other band’s albums (more on that later), it completely lets go of the black metal aesthetics in favour of a completely electronic soundscape, along with clean, monotonous vocals. While most of Liturgy’s work can be labeled as metal, The Ark Work did go into extremely experimental territory, abandoning harsh vocals and bringing in the sound of bells… lots of bells. Kel Valhaal has … Read more