We recently often write about bands who bridge post-hardcore and progressive metal, it seems, and some also other genres, but here’s one that almost uncompromisingly links it with black metal. Redshift Pilots released their debut full-length album, Moonlight Synthesis, in early October. It impatiently shows its black colours with fervent blast beats and tremolo picking riffs, but then sways into atmospheres of post-rock and post-hardcore ambiances seamlessly and in an honestly impressive manner. Sure, some tracks stay more on one side than the other, like “Overgrown”, which is almost entirely post-rock, but has a blackgaze twist near the end, … Read more
The Minnesota trio Not from Here puts a twist on the regular mathcore formula: the expected bass guitar is here replaced by a cello. This alternative lineup gives way to an interesting contemporary classical facet to the band’s music, most strikingly on their kétjegyű szók, “Ab”, “De”, and “Ex”, while being underlying in all the other tracks. Speaking of which, the songs on their self-titled sophomore release range from caustic mathcore to post-hardcore, with drafts of polyrhythmic sludge – the ending of “Should Certain Conditions Arise” –, drone metal, and progressive metal. It’s all instrumental, giving the music ample … Read more
The Italian progressive metal quintet Moebius are preparing for the release of their debut album, Hybris, on 20 October. To do so, they’ve sent me an early copy of it, and I liked it enough to write about it! Yes, Hybris is an almost hourlong concept album on metals and minerals, it seems. It starts off interestingly with the track numbered “00” – “Inflection II” –, which is a didgeridoo and percussions jam, but the rock starts with “Obsidian”. Between groove metal and progressive death metal, the rest of Hybris impresses. The band’s music puts a lot of emphasis … Read more
After their Ages EP tetralogy, Australian progressive black metal band Hybrid Nightmares gaze upwards towards the skies. Almagest is their new conceptual full-length album, and takes you on the journey of the Pilgrim, an unnamed automaton, going to various cosmic spheres in a quest to balance spirituality and reason. Basically, it’s a science-fiction retelling of many classical philosophy concepts. It’s quite rare that black metal bands of that ilk look to the future and out into space, although not unheard of, and Hybrid Nightmares is a strong quintet capable of putting this idea into reality and making it truly enjoyable … Read more
Naeramarth is a progressive metal band from Salk Lake City, and their debut album, The Innumerable Stars is coming out on 20 October. Stating influences as varied as Ihsahn, Leprous, Enslaved, and Opeth, Naeramarth cover an impressive range of metal genres, from black metal to doom metal, with a lot of straight-up progressive metal and prog death in-between. “Asterisms” is a pretty much perfect example of this, it covers well progressive black metal, with a very Opethian acoustic guitars corridor in the middle. Thanks to its 8:50 runtime, each part has the time to breathe, but its only about half … Read more
Canadian band Archspire surely needs no introduction. With a single album, they defined themselves as the epitome of their genre and a paragon to strive for. That genre is technical death metal – tech-death for short –, and that album was The Lucid Collective, released in 2014. Earlier this month, the Vancouverites released their new album, under the edgy moniker Relentless Mutation. More than simply a follow-up, it’s actually a step up, as incredible as it sounds from a band already seen as over the top as this one. A while ago now, they teased a drum practice … Read more
Instar is a narration-driven progressive metal band based in Austin, Texas. Their debut album, the self-titled Instar EP, came out in January of last year, and was a pretty interesting insight into what the project could become. With their debut full-length coming right around the corner, we get a better glimpse into the promising future of their formula. As for what they currently offer, I’ll be reviewing that right here.
First of all, narration-driven music can’t be good if the narration itself isn’t. In a day and age where the posh British accent is revered amongst many media – just … Read more