Oh, Art as Catharsis, it’s not the first time we praise you and undress our hearts to your fascinating gift for finding jaw-dropping new music from the island-continent of Australia. We can continue to deny we are total fanboys by arguing that it’s the first time we do so this month, but we know everybody sees through us and the lies we tell ourselves. Well, until Lachlan and AAC starts to disappoint us, we will continue to praise the label’s merits and its amazing roster. This time, it’s an Australian-American band: Sydney’s and New York’s Ground … Read more
We recently often write about bands who bridge post-hardcore and progressive metal, it seems, and some also other genres, but here’s one that almost uncompromisingly links it with black metal. Redshift Pilots released their debut full-length album, Moonlight Synthesis, in early October. It impatiently shows its black colours with fervent blast beats and tremolo picking riffs, but then sways into atmospheres of post-rock and post-hardcore ambiances seamlessly and in an honestly impressive manner. Sure, some tracks stay more on one side than the other, like “Overgrown”, which is almost entirely post-rock, but has a blackgaze twist near the end, … Read more
Most of my exposure to Japanese rock (j-rock) has been through Anime theme songs, but it’s a genre I’ve dipped further into from time to time when an Anime theme has really grabbed me, especially with bands like The Pillows, Flow, Nico Touches The Walls, Veltpunch, and Maximum The Hormone. So when I saw this promo for fulusu’s debut American release Old House 1, it totally piqued my interest. This album starts out with some ambient noise on ‘Ra’ that continues into second track ‘Consideration: Rain’ and abruptly ends to reveal the melodic j-rock … Read more
Australia’s experimental rock band Porcus vs. Equus just released a single, or short EP, under the name Music out of Shit. With merely three tracks and a runtime of just eight minutes, M.O.O.S. is very short, but also very sweet. First of all, ‘Wet Sugar (Player vs. Environment)’ is a magnificent song to begin with. Reminiscent of the Spaghetti Western aura of Robotmonkeyarm, with their reverb-laden, aggressively-plucked overdriven guitar notes, Porcus vs. Equus bring in some rhythmic and structural surprises into this complex ear-worm of a song. At over three minutes long, it’s the least concise of the triptych, … Read more
Sweden’s band Palmless just released their debut album, The Nine Exits, on bandcamp. If I were to be bold, I’d say they play post-blackgaze, but this wouldn’t paint the whole picture. Indeed, they seem to pour post-rock tendencies into their blackgaze compositions, or perhaps it’s the other way around, and, on top of that, there is a bit of noise rock and dark pop all wrapped in an indie vibe that permeates throughout the album’s half-hour runtime. The guitars are barely distorted, mostly receiving the overdrive treatment, and the bass guitar is almost totally dry, too. The drums don’t … Read more
This week has been amazing! Loads of amazing new music! A few older stuff that came to my ears, and some stuff still to come!
Let’s start with this week’s favourites!
Peculate‘s new album Fiscal Cliffs, is really a great listen for anyone who likes metal to be out of the ordinary. Avant-garde and experimental, like we love it! Read our whole review here and listen to the album below!
Rejectionary Art has released their second album entitled Exocoetidae: Flying Fish. It’s so eclectic and musically varied! Each song takes you to a different venue somewhere in … Read more
Sin4tr4 is the latest and possibly debut release from Italy’s Australasia. Instrumental in essence, the duo incorporates extreme metal techniques and ideas into post-rock, which gives them a distinctive sound, neither too dramatic or weak, the balance is good! On top of that, they use old school synthetizers with retro sounds! Pretty cool eh!
The EP runs at 22 minutes and is available on iTunes for around 6 bucks! And like the duo on facebook!
-D… Read more