Crno dete – Neponovljivo

The experimental surf rock duo Crno dete, from Serbia, just released their latest opus: the massive Neponovljivo album. This set is an improvised performance that goes on for about forty minutes; uncut, unedited, and unrepeatable. It has been divided into eight tracks, but the truly uncut version is available as a forty-three-minute single track. The music resembles experimental math rock and post-rock, but the utter flood of reverb on the guitars make me think of surf rock more than anything else, really. From the moment you press play, the guitars and the drums catawompously barge in and don’t stop … Read more

Haunts – A Lack of Empathy

British post-rock collective Haunts recently released their debut output. A Lack of Empathy, just shy of the thirty minutes mark, is a refreshing take on the genre, thanks to Dalma’s violins expanding into reverberating swells, and Kurt’s minimalistic drumming, using a variety of rim shots and uncommon percussions to fill the available space, and, finally, the omnipresent synths, which fulfill their purpose without being overwhelming. Like clanths in an abandoned shack, Haunts remind us of old, simpler times while, on the other hand, providing us with new ways to confront the future. My favourite effort on this EP is … Read more

Außerwelt – Transitions

Germany’s post-black metal outfit Außerwelt recently released their debut full-length album, Transitions. The album starts without hesitation and into the soaring riffs of “Isolate the Sun”. Their intention is clear: Transitions is about crafting an atmospheric aura not too far from the mellower post-rock scene, but with added tremolo riffs, and other crushing chords and pounding drums. As far as post-black metal goes, this is quite on the soft side, acting as a bridge or gateway from and to post-rock and black metal. This is a really well crafted album, as each song on it thoroughly explores a theme … Read more

Silent Whale Becomes a° Dream – Requiem

Silent Whale Becomes a Dream, along with a° random degree sign (°) as part of their style, is an anonymous French post-rock group – they just released their sophomore album, Requiem, and it’s a true statement of modern post-rock. Symphonic, methodical, mournful, deep, poignant, and heartfelt, this new full-length hosts four new tracks showing restraint and abandon. The newly-become quintet summons lush, echoing atmospheres, which they mollycoddle and raise gently, slowly, with care and patience, until they become their own, full-fledged being: not a human, not a song… but a living thing nonetheless. The symphonic elements, new to … Read more

EXCLUSIVE PREMIERE: Stream Ground Patrol’s Mathematical Debut Album, Drift


Oh, Art as Catharsis, it’s not the first time we praise you and undress our hearts to your fascinating gift for finding jaw-dropping new music from the island-continent of Australia. We can continue to deny we are total fanboys by arguing that it’s the first time we do so this month, but we know everybody sees through us and the lies we tell ourselves. Well, until Lachlan and AAC starts to disappoint us, we will continue to praise the label’s merits and its amazing roster. This time, it’s an Australian-American band: Sydney’s and New York’s Ground Read more

Redshift Pilots – Moonlight Synthesis

We recently often write about bands who bridge post-hardcore and progressive metal, it seems, and some also other genres, but here’s one that almost uncompromisingly links it with black metal. Redshift Pilots released their debut full-length album, Moonlight Synthesis, in early October. It impatiently shows its black colours with fervent blast beats and tremolo picking riffs, but then sways into atmospheres of post-rock and post-hardcore ambiances seamlessly and in an honestly impressive manner. Sure, some tracks stay more on one side than the other, like “Overgrown”, which is almost entirely post-rock, but has a blackgaze twist near the end, … Read more