Made from members of the corrosive grindcore entity Beaten to Death and the metalcore act Insense, Grant the Sun turns its head towards progressive and post-metal instead, and succeeds effortlessly at making a naturally enjoyable debut. The Norwegian instrumental trio stick to a relatively simple formula: good riffs, a few guitar solos, some top-tier drumming, and sensical song structures. Melodic and heavy, the album is pretty good, but also lacks any characteristic that would make it unforgettable. In fact, despite how decent it is, I had a hard time recalling it even existed. I often express my disgust of gimmicks, … Read more
As obscure as it might be, Iam, Christe, sol iustitiae is the first, instrumental demo release of Italian post-black metal entity Sol iustitiae. For now, the three tracks present on their bandcamp page are instrumental, but the band wrote that they plan on adding vocals on them in the near future. The production is raw, but not displeasing; every instrument can be heard distinctly, and the sound as a whole isn’t too bad. There’s only the issue of some soundwave clipping, but that should be resolved with the next mix. The music, however, is totally delightful! Sol iustitiae use … Read more
Danish and American bands LLNN and Wovoka unite on a split album regrouping the former band’s part, Marks, and the latter’s, Traces. The synth-tinged blackened doom of LLNN is perfect for a soundtrack to pessimistic futurism, with its slow, droning, and heavy riffs atop which the singer screams his wrath. The six tracks of this first side make up a little less than twenty minutes, the same as Wovoka’s single song, ‘Traces’. While I was unfamiliar with the Denmark armada, Wovoka’s latest album, Saros, stuck with me as an example in post-metal. They’ve put yet another badge … Read more
Dreare is an instrumental post-metal band from the Czech Republic, whom I was introduced to last year when Dave covered them in a One Sentence Review. Being a fan of instrumental metal I decided to check them out, and i’m glad I did!
The trio’s debut album, Blank and Forward, is full of subtleties and nuances. Reverb and feedback are used heavily, making the music sound raw and natural. The lack of complexity in the music also helps accentuate this, as you’re paying just as much attention to the space in between notes, as you are the … Read more
Laurestine is one of these great albums that leave a mark on you, and that has the power to change your perspective on a whole musical genre. It has been lauded by many, even us, as one of the best albums of 2015, and deservedly so. The intertwining of orchestral and electric instruments in the context of extreme metal, post-black metal if you want to label it, was executed to near perfection, and both sides really complemented each other. On May 6th, So Hideous will release an orchestral version of the same album. I was understandably very excited about … Read more