As obscure as it might be, Iam, Christe, sol iustitiae is the first, instrumental demo release of Italian post-black metal entity Sol iustitiae. For now, the three tracks present on their bandcamp page are instrumental, but the band wrote that they plan on adding vocals on them in the near future. The production is raw, but not displeasing; every instrument can be heard distinctly, and the sound as a whole isn’t too bad. There’s only the issue of some soundwave clipping, but that should be resolved with the next mix. The music, however, is totally delightful! Sol iustitiae use … Read more
Danish and American bands LLNN and Wovoka unite on a split album regrouping the former band’s part, Marks, and the latter’s, Traces. The synth-tinged blackened doom of LLNN is perfect for a soundtrack to pessimistic futurism, with its slow, droning, and heavy riffs atop which the singer screams his wrath. The six tracks of this first side make up a little less than twenty minutes, the same as Wovoka’s single song, ‘Traces’. While I was unfamiliar with the Denmark armada, Wovoka’s latest album, Saros, stuck with me as an example in post-metal. They’ve put yet another badge … Read more
Dreare is an instrumental post-metal band from the Czech Republic, whom I was introduced to last year when Dave covered them in a One Sentence Review. Being a fan of instrumental metal I decided to check them out, and i’m glad I did!
The trio’s debut album, Blank and Forward, is full of subtleties and nuances. Reverb and feedback are used heavily, making the music sound raw and natural. The lack of complexity in the music also helps accentuate this, as you’re paying just as much attention to the space in between notes, as you are the … Read more
Laurestine is one of these great albums that leave a mark on you, and that has the power to change your perspective on a whole musical genre. It has been lauded by many, even us, as one of the best albums of 2015, and deservedly so. The intertwining of orchestral and electric instruments in the context of extreme metal, post-black metal if you want to label it, was executed to near perfection, and both sides really complemented each other. On May 6th, So Hideous will release an orchestral version of the same album. I was understandably very excited about … Read more
Losing someone you love or care about is a moment that every human being endures at some time of their life; it is often described as a period of grief that takes enough time to overcome and it is represented in many ways depending on the people it affects. For Australian post-metal band We Lost The Sea, tragedy struck hard when their singer and friend, Chris Torpy, took his own life in early 2013. The band decided to move on and carry the legacy of their fallen brother; reinventing themselves with their 2015 release Departure Songs, creating a … Read more
So Hideous have carved a name for themselves in the post-metal scene with their focused and well-written first album “Last Poem/First Light”, just last year. They’re returning with Laurestine, out October 16th on Prothetic Records. Let’s talk more about the band and the album, now.
They seem to take the compositional process in the opposite way of most bands nowadays. Each composition starts on piano. Then comes the orchestral arrangements, and only then are added the guitars, bass, drums, and vocals. That makes for very emotional music that doesn’t rely on riffs or pretty much any other metal trope … Read more
This week’s been a great one for post-[insert genre] music: I finally got into deafheaven’s Sunbather album and it’s awesome, the new Second to Sun releases are getting more post-black kinda stuff, the new album Laurestine from So Hideous is gorgeous, and in the weeks prior, there has been even more cool post stuff! That brings me to Hadean, which released their second effort, On Fading, last week. And it’s a real kick in the brains!
Firstly, there is saxophone (and other wind instruments) and piano that are not used timidly and accompany marvellously the barrage of distortion, … Read more
It’s metal, it’s good, and it’s free, need you more?
This post-metal djent-ish outfit from Russia blends cool licks with groove and harsh singing, all in their very own, unique, way.
-D… Read more