#VeilHasRisen marks a new phase in the life of the band Veil of Maya (VoM). This new phase is one marked by commercialism: Veil of Maya is a pop band now.
VoM was one of the earliest djent bands. Its 2008 album The Common Man’s Collapse was experimented with polymetric superposition (the hallmark attribute of djent) years before it became a staple for metal bands to pretend they are progressive.
With its release of “Mikasa,” VoM has shown that it has adopted not just clean vocals, but clean vocal melodies that sound as though they were lifted from Top 20 … Read more
A collaboration between the stellar Vishal Singh, Derick Gomes, and Venkatesh Iyer is giving us a really interesting piece of music to forebode their upcoming EP. The avant-pop trio uses to great efficiency glitch techniques into an experimental pop sound that, while retaining its pop qualities: inherently good-sounding, concise and easy to approach, it still provides us with an interesting listen, and a definite breeze of fresh air!
ZIA is, for the most part, a one-woman microtonal pop band, with Elaine Walker behind the wheel. Releasing albums since 1998 under the monicker ZIA, and experimenting since the very beginning with xenharmonic tunings, Drum’N’Space is the first all-microtonal album. On top of it all, this album is said to be only part of an epic space rock opera that is in the works! If that doesn’t scratch your weird music itch…
Drum’N’Space is written in multiple tunings. The first song is in 17 notes per octave (or EDO, for equal divisions of the … Read more
Becca Stevens‘ crowdfunding campaing was probably the most infuriating one I’ve ever participated in. Their new album, Perfect Animal was set on being released in fall of 2014, and was crowd-funded to cover the expenses of recording, mixing and mastering (which was already made at that point), and to fund the promotion, album art, and printing vinyl and CD. I am really fine with this kind of crowdfunding: the album’s [almost] ready for delivery, and even if the goal was not met, it would still get released, not like other shitty campaigns.
Lee Wanner is a particular fellow, music-wise. His now defunct (from what I understood) band, Rejectionary Art, released one album of pure heavy grooviness, and one other of varied musical genres applied to djent, the latter in a rather small dose. All the while, his solo albums ranged from purely jazz awesomeness to weird and creepy classical music with foley, and a funky 80s-style album, among other ones. Now, with Every Man Is An Island, Lee seems to have gathered all these varied experience to make something truly, strangely, weird and good!
Hey! I’ve posted quite a few great music on the blog’s facebook page, but didn’t make any official post about them. Here is my chance to make them shine, and make you discover them, and hopefully like them as I do 🙂
FIRST OF ALL! The never disappointing Plini released the second part of his EP trilogy, called Sweet Nothings… and man, how sweet it is! Plini is a real modern-day guitar genius! Just listen to it for yourself!