Their first album in 8 years (during which time the band disbanded and reformed), Falling Satellites is the much anticipated third album from Jem Godrey’s Frost*. Their critically acclaimed debut album Milliontown remains one of my favorite prog albums, and while I wasn’t as into the follow-up in 2008 Experiments In Mass Appeal (the mix on the first two tracks was strange, with the quiet sections being barely audible and the loud sections blowing out your speakers) I was excited to hear what was next for the band.
The intro to the album, ‘First Day’, is a soft ambient … Read more
What do you get when you put ex-members of progressive metal band Cynic with members of atmospheric black metal band Dodecahedron? Not what you would expect.
Our Oceans is a post-rock band in which Tymon (ex-Cynic) lulls us with his soothing melodic voice, which we really aren’t used to. Behind his voice and his guitar work is a silky smooth fretless bass playing jazzy lines and drums that put the emphasis on the ambient side of things: painting the background with cymbals over slow odd time signatures and polyrhythms.
Over the course of the album, there is some variety to … Read more
Microtonal rock band Ilevens, led by the mind of Brendan Byrnes, is one of the only examples I know of of a microtonal band ready for live performances. They use 22 notes per octave instruments and have released a bunch of demos that were sung in a made-up language that I’ll refer to as ilevian from now on, but they seem to have gone back to good ol’ English for this song.
The 2-track Live in Studio mini-album is available on their bandcamp page for “name your price”!
… Read more
Sea In The Sky is a new up and coming band from California, and they focus a lot on melodic vocals and play djenty prog-pop metal with a slightly ambient feel to it.
Being quite technically proficient (what struck me is the slap bass solo in Tamagotchi) doesn’t mean they can’t put the vocals at the forefront. This makes it so that the band is pretty accessible to, well, anyone while remaining enjoyable for the musicians listening because there’s always something interesting that’s being played in the background. Be it the aforementioned slap bass solo, some guitar tapping riff, drums … Read more
Lost between the realms of opera, jazz, and avant-garde music, Marena Whitcher’s Shady Midnight Orchestra‘s what seems to be debut album Ghostology is a real gem of experimentation in popular music, although what’s left of pop music is so altered in the process that it can barely be called that. However, the avant-pop label seems quite fitting, even more so when followed by the ghost jazz speciality. What is ghost jazz? I don’t know, but I’m looking forward to it.
With an orchestra comprising of many instruments, from glass harp to bass clarinet, and from glockenspiel to “toys”, the … Read more
#VeilHasRisen marks a new phase in the life of the band Veil of Maya (VoM). This new phase is one marked by commercialism: Veil of Maya is a pop band now.
VoM was one of the earliest djent bands. Its 2008 album The Common Man’s Collapse was experimented with polymetric superposition (the hallmark attribute of djent) years before it became a staple for metal bands to pretend they are progressive.
With its release of “Mikasa,” VoM has shown that it has adopted not just clean vocals, but clean vocal melodies that sound as though they were lifted from Top 20 … Read more
A collaboration between the stellar Vishal Singh, Derick Gomes, and Venkatesh Iyer is giving us a really interesting piece of music to forebode their upcoming EP. The avant-pop trio uses to great efficiency glitch techniques into an experimental pop sound that, while retaining its pop qualities: inherently good-sounding, concise and easy to approach, it still provides us with an interesting listen, and a definite breeze of fresh air!
ZIA is, for the most part, a one-woman microtonal pop band, with Elaine Walker behind the wheel. Releasing albums since 1998 under the monicker ZIA, and experimenting since the very beginning with xenharmonic tunings, Drum’N’Space is the first all-microtonal album. On top of it all, this album is said to be only part of an epic space rock opera that is in the works! If that doesn’t scratch your weird music itch…
Drum’N’Space is written in multiple tunings. The first song is in 17 notes per octave (or EDO, for equal divisions of the … Read more
Becca Stevens‘ crowdfunding campaing was probably the most infuriating one I’ve ever participated in. Their new album, Perfect Animal was set on being released in fall of 2014, and was crowd-funded to cover the expenses of recording, mixing and mastering (which was already made at that point), and to fund the promotion, album art, and printing vinyl and CD. I am really fine with this kind of crowdfunding: the album’s [almost] ready for delivery, and even if the goal was not met, it would still get released, not like other shitty campaigns.
Lee Wanner is a particular fellow, music-wise. His now defunct (from what I understood) band, Rejectionary Art, released one album of pure heavy grooviness, and one other of varied musical genres applied to djent, the latter in a rather small dose. All the while, his solo albums ranged from purely jazz awesomeness to weird and creepy classical music with foley, and a funky 80s-style album, among other ones. Now, with Every Man Is An Island, Lee seems to have gathered all these varied experience to make something truly, strangely, weird and good!