‘Chant I: Le théâtre’ is the album’s first track, and it puts all on the table. You’ve got the whole orchestra with their melancholic and slightly dissonant beauty, the gravelly and pitiless vocals, as of a decadent opera, sing hopeless lyrics in this devoid of any light chant. It … Read more
Les chants du hasard is a mysterious solitary project from France that’s throwing the traditional metal instruments by the window in favour of a completely orchestral work. The classical instruments are joined by the delirious voice of the so-called Hazard, only soul behind the ambitious project. The synthetic orchestra is convincing enough, except a rare few occasions where their electronic nature pierces through; the main culprits are the percussions. Easily disregarded, this minor detail should not obscure the whole work, because missing such a grandiose piece would be detrimental to you only! The texts are written in French prose and … Read more
Russian progressive chamber duo iamthemorning has been a growing name over these years since the release of their debut album, entitled “~”, which blends chamber music with touches of progressive rock to create a beautiful atmosphere formed in majority by Gleb Kolyadin’s amazing piano work and Marjana Semkina’s astonishing vocals. Their sophomore record, “Belighted”, saw the band increasing its potential and audience. Lighthouse, their second KScope release, reaches new levels of sound and ambition to deliver a touching work of art. For this release, they’ve enlisted the help of Porcupine Tree’s musicians Colin Edwin (bass) and Gavin Harrison (drums), … Read more
Laurestine is one of these great albums that leave a mark on you, and that has the power to change your perspective on a whole musical genre. It has been lauded by many, even us, as one of the best albums of 2015, and deservedly so. The intertwining of orchestral and electric instruments in the context of extreme metal, post-black metal if you want to label it, was executed to near perfection, and both sides really complemented each other. On May 6th, So Hideous will release an orchestral version of the same album. I was understandably very excited about … Read more
So Hideous have carved a name for themselves in the post-metal scene with their focused and well-written first album “Last Poem/First Light”, just last year. They’re returning with Laurestine, out October 16th on Prothetic Records. Let’s talk more about the band and the album, now.
They seem to take the compositional process in the opposite way of most bands nowadays. Each composition starts on piano. Then comes the orchestral arrangements, and only then are added the guitars, bass, drums, and vocals. That makes for very emotional music that doesn’t rely on riffs or pretty much any other metal trope … Read more
Today’s the day I can repent from not talking to you more about the exceptional peculiarity that is the awesome one-man band Peculate.
What struck me at first with this band is Ben’s voice. Wow, dude! How versatile can a singer be, this guy nails it! From a plethora of screamings and growlings to a broad singing range, Ben will use what fits the music or atmosphere best most of the time! On top of that, his vocal melodies, harmonies and rhythmic patterns are pretty fucked up if you ask me. I don’t remember listening … Read more
This name may not evoke a simple thought in your mind.
The story is different for me.
After listening to this album, the name Anomima sends my mind on a vast journey. A journey of beautiful, desolate, and meaningful landscapes. Those that are shaped by emotion, not erosion.
Anomima makes me travel different countries, each with their language, their culture, and their faces. Anomima is timeless, neither ancient, or future, and definitely not contemporary. Anomima is unpredictable : once you think you’ve got it, and you’ve got a sense of what awaits you, new challenges will be offered to … Read more