Qebrus – ◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙

Qebrus – also sometimes written as Qebrµs, capitalized or not – is one of these musical oddities that keep on giving. Earlier this year, we’ve covered the project’s latest release, ᐔᐌᐂᐍᐚ, and, after many single releases, we find ourselves once again in front of a full-length release: ◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙. The album, from here on referred to as A A(source) for obvious reasons, is in line with most of the cryptic glitch artist’s output, but feels more minimalistic, contemplative, even. It might be difficult to grasp the complexity and effort that goes into making these tracks, just because … Read more

Sewing Circle – Nausea

Sometimes, we need to take a step back and take a listen to something that really makes you ask yourself “can this even be called music?” Of course, the answer is almost always a resounding “yes!”, but, to the neophyte’s ear, the answer might not be so clear-cut. Enters Sewing Circle, the project of Arturo, Noah, and Patrick – the latter of whom we already wrote about many times for his involvement in some of today’s wildest and most interesting musical projects – is, I believe, an improvisation-based experimental noise rock trio. The nearly thirty-minute EP is adventurous and, … Read more

The Blight – Meditations on Insignificance

Out on July twenty-eighth, Meditations on Insignificance is the latest experiment by noise metal artists The Blight. This full-length release explores the Lovecraftian themes of cosmic insignificance and the nihilistic views that nothing we will ever do will matter the slightest bit in the end. Their approach to music consists of improvised noise layered with atmospheric pads and supported by an impressive display of drumming skills, not too far from an actual drum solo. Thematically, the album goes from small scale, with ‘Self’, to a gigantic one, with ‘Galaxy’. Themes that are exploited without uttering a single word – … Read more

It’s the Lipstick on Your Teeth – Skintrade

Between noise and hardcore, Austrian group It’s the Lipstick on Your Teeth just released the highly-anticipated Skintrade, a thirty-minute escapade into noise punk that will leave you asking for more. Michelle’s aggressive yet melodic vocals are at the forefront of the band’s assault, which is heavily complemented by synths and samples, which make up most of the background instrumentation. Although quite short, the album is not short of great moments, either memorable melodic phrases or sublime digital bombardments. In conclusion, Skintrade is a very worthy addition to your noise punk playlist.

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Nakata is an avant-garde jazz improvisation duo from Los Angeles, California, including Patrick Shiroishi (from Upsilon Acrux, Corima, and other bands) on saxophone, and Francisco Casanova on piano. The project has already many releases on bandcamp, and ‘Now It Can Be Told’ is taken from their upcoming album, Bokanovsky’s Process, which will come out on April third. If you’re somewhat into experimental jazz, musicians pushing boundaries, or just expressive, abrasive, and challenging music overall, then be sure to listen to this track!

‘Now It Can Be Told’ is a six-minute sonic journey, from the intriguing and mysterious start … Read more

Slice the Cake – Odyssey to the Gallows, an Analysis Of

The release of the much-anticipated Odyssey to the West, from the progressive deathcore band Slice the Cake, has been somewhat obfuscated by some internal problems. I do not wish to delve into this, but rather write about the music itself, the lyrics, and the concept surrounding it all. Understand that I do not take any side there, but merely observe the fact that the music is out there for everyone to hear, and that I wish to express my opinions on it, as well as expose the underlying storyline. Today, I will cover the Gallows part. So without … Read more

Book of Sand – Occult Anarchist Propaganda & Elegy

Book of Sand is an experimental one-man band shrouded in mystery. Just trying to put a name on the person behind it would require an extensive investigation; for now, they refer to themselves only as “d”, or “dcrf”. Since 2009, they have nine releases, one of which being a split with The Skin Horse. Last year, I reviewed The Face of the Deep, which I described as unworthy of listening, but upon further reflection provides a unique albeit rather abstract experience, and can be enjoyed for what it is, simply.

Earlier this year, Book of Sand released two albums: … Read more