Feeding Fingers – Do Owe Harm

Hello, it’s me again, writing about another microtonal album. And yet it seems there might never be enough of those so that any release that fits under this label and that is of decent production value deserves to be talked about. Which brings us to Feeding Fingers‘ sixth studio album, Do Owe Harm. While the band’s earlier releases incorporated microtones in some form or another, it takes centre stage here. Through post-punk aesthetics intermingled with synthwave and experimental pop, Feeding Fingers shine a new light on xenharmony, and convincingly make use of different tuning systems, such as 15- … Read more

EXCLUSIVE PREMIERE: Ilevens – “Transmitter”


Ilevens is the latest brainchild of microtonal musician Brendan Byrnes, of whom we’ve already praised the projects here on this website, and Transmitter is their debut EP. The concept of Ilevens, formerly known as 11ins, was to form a full microtonal pop/rock band, and the chosen system was 22 equal divisions of the octave. After many demos, under both the 11ins and Ilevens monikers, Transmitter is ready, with two brand new compositions – “Solavai” and “Transmitter” – and re-worked versions of their earlier songs. While the uncommon pitches will surprise more than one person, the psychedelic, progressive, pop-rock style in … Read more

Gershlauer, Fiuczynski, DeJohnette, Garrison, and Mikadze – Mikrojazz! Neue expressionistische Musik



They’ve done it! Again, perhaps, but Mikrojazz!, with the subtitle Neue expressionistische Musik (New Expressionist Music), is the latest, and arguably one of the first, completely microtonal jazz records to come out. With the combined talents of Philipp Gerschlauer on saxophone, David Fiuczynski on fretless guitar, Jack DeJohnette on drums, Matt Garrison on fretless bass, and Giorgi Mikadze on keyboards, Mikrojazz! has all the fuel it needs to develop xenharmonic compositions for jazz. Does it deliver? Yes, it does, but not without a few criticisms of mine. The players take up the challenge of writing and playing jazz in … Read more

Brandon Seabrook – Needle Driver

Needle Driver is the latest experiment of Brooklyn musician Brandon Seabrook. The hard-to-describe EP seamlessly bridges contemporary classical music, experimental jazz, and mathcore into a nasty instrumental tapestry. The trio even includes some microtonal intervals, spotted in the song “Venwhorerisin'”. The five compositions are too quickly gone, but they provide an endless amount of entertainment while they last: uncommon time signatures, odd harmonies, complex and exhausting melodies, as well as a knack for deranged structures that somehow hold themselves together. Needle Driver goes left and right, up and down, forwards and backwards, and I’m sure it also goes wild … Read more

Jute Gyte – Oviri

Jute Gyte‘s sole member, Adam Kalmbach, is said to take some sort of break, or hiatus, after Oviri, the closing chapter of what I’ll call ‘The Colours Trilogy’. The only things that are in the works are a rumoured split release and an electronic music album for 2018. The end of an era is always something to grief, but also a moment to look forward to new beginnings. In the meantime, however, let’s discuss this latest progeny. Adam talked about striving to unite the two major aspects of his creative mind: the electronic and the black metal. Nowhere … Read more