The experimental surf rock duo Crno dete, from Serbia, just released their latest opus: the massive Neponovljivo album. This set is an improvised performance that goes on for about forty minutes; uncut, unedited, and unrepeatable. It has been divided into eight tracks, but the truly uncut version is available as a forty-three-minute single track. The music resembles experimental math rock and post-rock, but the utter flood of reverb on the guitars make me think of surf rock more than anything else, really. From the moment you press play, the guitars and the drums catawompously barge in and don’t stop … Read more
Çub is the unlikely collaborative project between experimental math rockers Ça and dub techno artist Submarine FM. As a spinoff of Ça, it had great shoes to fill in my eyes, and the dub aspect only made things more intriguing. The collaboration actually turned out pretty amazingly well! You still find the core of Ça – whacky off-kilter and odd-time riffs supplemented with onomatopoeic vocal absurdities –, but you now find a side of electronic music that’s an uncanny match, but the two marry perfectly. This lycée-themed album gives us plenty of lessons about life and music in … Read more
This Norwegian experimental math rock duo is about as colourful as the cover art for their latest album, Las Napalmas. Released in late October, the 34-minute album is a playground for effect pedals on the part of Simen Følstad Nilsen on guitars, and for odd rhythms from Tobias Ørnes Andersen’s drumkit. The result is an energetic, almost punkish vibe that emanates from the singing strings and beating drums. If you’re into the likes of Yowie, or would like a more experimental The Physics House Band, look no further than Aiming for Enrike.
Monotrope is an experimental progressive rock quartet from multiple American states, and they’ll be releasing their debut album, Unifying Receiver, on 10 November. The avant-rock release is entirely instrumental, and they take all the room they have available to make an interesting album. It’s full of diverse influences that coalesce into something that’s somewhere between post-metal and experimental math rock. Unifying Receiver is more contemplative than demonstrative – although there’s a soft balance between both aspects of the genre –, so it’s not something that will put you in awe at every turn, but the songs are cunningly crafted … Read more
Oh, Art as Catharsis, it’s not the first time we praise you and undress our hearts to your fascinating gift for finding jaw-dropping new music from the island-continent of Australia. We can continue to deny we are total fanboys by arguing that it’s the first time we do so this month, but we know everybody sees through us and the lies we tell ourselves. Well, until Lachlan and AAC starts to disappoint us, we will continue to praise the label’s merits and its amazing roster. This time, it’s an Australian-American band: Sydney’s and New York’s Ground … Read more
The Minnesota trio Not from Here puts a twist on the regular mathcore formula: the expected bass guitar is here replaced by a cello. This alternative lineup gives way to an interesting contemporary classical facet to the band’s music, most strikingly on their kétjegyű szók, “Ab”, “De”, and “Ex”, while being underlying in all the other tracks. Speaking of which, the songs on their self-titled sophomore release range from caustic mathcore to post-hardcore, with drafts of polyrhythmic sludge – the ending of “Should Certain Conditions Arise” –, drone metal, and progressive metal. It’s all instrumental, giving the music ample … Read more
Kurws are a peculiar entity. Alarm is their most recent release, and is almost embarrassingly good. “Nagonka” readily baffles you with its odd polyrhythmic bouncing groove accompanied by saxophone and recording artefacts left in. It’s composition aimed at emulating free improvisation, or is it? It doesn’t matter, the result is the same: Alarm is disconcerting and wild! The Polish quartet certainly continues to experiment with music and push themselves on the brink of cohesion. Thanks to analog tape recording, the texture of the sound is at times very grainy, giving even more consistency to the aural soup we’re served, which, … Read more