Lemmings Suicide Myth – Lemmings Suicide Myth

The Music

The Words

As I was preparing to close off this week’s release amalgam, I stumbled upon this intriguing cover art in the jazz section of bandcamp’s discovery tool. After a few seconds of the featured song playing, I was sold. I opened the album page and bought it, and, minutes before the scheduled publication, included it in my weekly post.

So, what’s this album that made it by the skin of its teeth into my week? Lemmings Suicide Myth‘s second self-titled album. Based off of Tarot cards, this jazz fusion drums and piano duo is … Read more

Haolin Munk – Planestasia Suite

The Music

The Words

Jazz and hip hop are two proximate worlds, but it’s a rare treat to see them interconnect. Fortunately, Ontario, Canada’s Haolin Munk quartet is here to settle the score. In what sounds like a softer version of Montréal’s New Apple Taste, without the noise and the rock, their science-fiction concept album – who else gets hints of Clipping.? – is an astonishing jazz fusion release filled with tasty grooves, decadent solo sections, and an overall spotless arrangement work.

Since the Haolin Munk quartet is an instrumental entity, each vocal track exists thanks to the help of … Read more

Théo Ceccaldi’s Freaks – Amanda Dakota

The Music

The Words

Théo Ceccaldi is now a renowned jazz violinist, and he is now at the heads of Freaks, an experimental jazz sextet that bridges jazz-rock with avant-garde pop and Rock in Opposition. Indeed, it sometimes sound like a jazz version of French band PoiL, which is a major plus!

What can you expect from their debut, Amanda Dakota? First of all, a lot of odd themes and harmonies are sown all around the album, and the rhythm section tries to clumsily follow in odd times and bizarre subdivisions. This is something that I like a … Read more

P.O.N. – P.O.N. (1995)

The Words

P.O.N. was a Japanese jazz fusion band active in the ’90s, and whose only release is this obscure self-titled album. I wanted to talk about it, however, because it is still relevant in today’s world due to its high production value and contemporary sound. P.O.N. features forty-five minutes of blazing saxophone, guitar, and vibraphone on top of a Zappaesque backing band.

How so? Well, if the regular rhythmic modulations — frequently shifting from straight eighths to many different n-tuplets — didn’t tip you off, you might as well be deaf. However, it is, in my opinion, much more … Read more

明日の叙景 – わたしと私だったもの

The Music

The Words

It never fails to warm my heart when I come across a nominally “black metal” band that is willing to shed all vestiges of trve kvltitude and incorporate taboo elements of hardcore, metalcore, screamo, world music, pop, or any other style that results in a synthesis of musical ideas that stretches the boundaries of black metal’s comfort zone. On their debut full-length わたしと私だったもの (Watashi to watashidatta mono) – or, by its English title, Awakening –, Japanese quartet 明日の叙景 – read “Asu no jokei” – mingles their blackened approach with the post-hardcore intensity of fellow countrymen Envy … Read more

Panu-Pekka Rauhala – 60 Songs in 60 Minutes

The Music

The Words

Please don’t skip this because of the cover art shown above. I know it’s probably the worst album cover you’ve seen recently – or, ever! –, but the music it forbids is worth your time, I swear! Honestly, I debated whether or not I should include the “artwork” in this review… But out of respect for Panu-Pekka Rauhala‘s artistic choices, I decided to keep it, at the cost of this very warning. Ugh, it’s such an ugly cover for such a good album… It could win many art anti-awards, of that I’m sure! Well… enough … Read more

Kami Octet – Spring Party

The Music

The Words

We truly are well treated in this early 2018. So much great music has been knocking on my eardrums that it’s difficult to keep track. Although a late 2017 release, France’s Kami Octet, an avant-garde jazz eight-member ensemble, and their album Spring Party, was only just now heard by yours truly. The release is an adventurous and thorough experiment on contemporary jazz, sharing similarities with Fire! Orchestra and other such modern artists like Jaimie Branch. I’ve noticed the former mainly due to the vocal eccentricities of Christine Bertocchi, who at times recall moments of … Read more