The Room Colored Charlatan guitarist Justin Seymour is about to release his first solo EP Ineffable on August 25th under the name Bodhi. This short but sweet offering of melodic instrumental prog is reminiscent of Plini and Animals as Leaders. The first track ‘Desire’ starts off with an atmospheric synth which is then joined by some pleasant melodic guitars, drums, and piano. The layered guitars sound amazing but the keyboard sounds great too and compliments the guitars well. For being completely a one-man operation, it is quite impressive. The title track ‘Ineffable’ is the longest on … Read more
Made from members of the corrosive grindcore entity Beaten to Death and the metalcore act Insense, Grant the Sun turns its head towards progressive and post-metal instead, and succeeds effortlessly at making a naturally enjoyable debut. The Norwegian instrumental trio stick to a relatively simple formula: good riffs, a few guitar solos, some top-tier drumming, and sensical song structures. Melodic and heavy, the album is pretty good, but also lacks any characteristic that would make it unforgettable. In fact, despite how decent it is, I had a hard time recalling it even existed. I often express my disgust of gimmicks, … Read more
Sproingg is a fitting name for such a bouncy and lighthearted avant-prog trio! The band, which takes its roots in Germany, have just released their debut, self-titled album via bandcamp, and it’s one of those that you can’t afford to miss. First of all, one of its springy legs is Johannes, violin and Chapman stick player. The former instrument is uncommon but not rare, but it’s one of unfortunately too few opportunities to catch a band boasting a stick! That, on its own, is a good reason to check out this band, but you’ll stay for their bizarre, oddly rhythmic … Read more
Milco is the most Animals as Leaders-like non-Animals as Leaders project I’ve listened to, recently. The debut EP of Raymond Milco, 練馬 (Nerima), is full of bittersweet technical djent riffs, with the common thumping, tapping, and advanced chords that are often lazily called jazzy. The twenty-odd minutes of the EP are made out of intelligent composition and ingenious ideas; the songs flow more intuitively than on The Madness of Many, AAL’s latest endeavour. Of course, Ray doesn’t come near the levels of virtuosity displayed by Messrs. Abasi, Reyes, and Garstka, the skills of Milco are more than appreciable and … Read more
In the world of progressive rock and metal, instrumental albums are pretty common so it’s a bit hard to stand out. Mammoth absolutely manage to do this with their new album Deviations. Impressive playing paired with amazing production quality and beautiful tones prove that these guys are at the top of their class.
The first song, ‘Entanglements’ sounds like an entanglement of instruments weaving wonderfully through each other. Impressive guitar arpeggios and solos are complemented by ambient keyboards and intense drums. The middle section of the song calms down with a bright clean section that builds back up into … Read more
It’s been a while since I listened to a solo album by a member of a known band (a.k.a. Jeff Loomis, Christian Münzner, Mark Tremonti, etc); even if they’re a nice showcase of their musical prowess and are guaranteed to a give you a lot of fun, in most cases they don’t stick enough with me to repeat them after a few spins. Tom “Fountainhead” Geldschläger, new member from tech-death overlords Obscura, is a refresh to my ears with his second official release “Reverse Engineering”. This is the third album I listen to this year that contains his … Read more
Dreare is an instrumental post-metal band from the Czech Republic, whom I was introduced to last year when Dave covered them in a One Sentence Review. Being a fan of instrumental metal I decided to check them out, and i’m glad I did!
The trio’s debut album, Blank and Forward, is full of subtleties and nuances. Reverb and feedback are used heavily, making the music sound raw and natural. The lack of complexity in the music also helps accentuate this, as you’re paying just as much attention to the space in between notes, as you are the … Read more
Having not heard much of Sithu Aye’s catalog aside from a couple listens of their Senpai EP last year (which I definitely need to revisit now), I didn’t really know what to expect from their new album Set Course For Andromeda. After listening to it, I now realize I should have been paying more attention to this band, because it blew me away!
The album is split into two discs, the first one, is a collection of songs with no thematic tie to each other, and the second disc is a 29-minute suite about an alien Andromedan, which is … Read more
Losing someone you love or care about is a moment that every human being endures at some time of their life; it is often described as a period of grief that takes enough time to overcome and it is represented in many ways depending on the people it affects. For Australian post-metal band We Lost The Sea, tragedy struck hard when their singer and friend, Chris Torpy, took his own life in early 2013. The band decided to move on and carry the legacy of their fallen brother; reinventing themselves with their 2015 release Departure Songs, creating a … Read more
Released last year on June 22, 2015, Armonite’s second album, and first album in 15 years The Sun Is New Each Day is a vibrant instrumental prog album that is full of both complex and beautiful melodies. The prominent electric violin reminds me a bit of the Dixie Dregs. The album sounds like a Soundtrack at times, which makes sense since the band has published videos of a few movie theme covers from their show The Soundtrack is New Each Day. In fact, it sounds more like a video game soundtrack to me. ‘‘G’ as in Gears’ could easily … Read more