French quartet Asylon Terra recently released Blind Man Running, their first, full-length release. Between contemporary jazz, ambient music, and progressive rock, the compositions of Pierre Lordet, clarinetist of the group, take shape on this entrancing album. Anne Quillier, about whose sextet we already wrote, takes seat behind the omnipresent keyboards – the Rhodes and Moog -, while Lucas Hercberg takes bass duties, and Clément Black takes care of the drums. The whole is an astounding result. Blind Man Running will take your breath away. The vast soundscapes played here will submerge you, and even the harder-hitting compositions – … Read more
In the world of progressive rock and metal, instrumental albums are pretty common so it’s a bit hard to stand out. Mammoth absolutely manage to do this with their new album Deviations. Impressive playing paired with amazing production quality and beautiful tones prove that these guys are at the top of their class.
The first song, ‘Entanglements’ sounds like an entanglement of instruments weaving wonderfully through each other. Impressive guitar arpeggios and solos are complemented by ambient keyboards and intense drums. The middle section of the song calms down with a bright clean section that builds back up into … Read more
The Pitts Minnemann Project released their first album in 2014 with the technical, fusion progressive metal album 2 L 8 2 B Normal, featuring keyboard virtuoso Jimmy Pitts and drummer madman Marco Minnemann, completed by a long list of musicians amongst whom are found Tom “Fountainhead” Geldschläger, Ray Riendeau, and Jerry Twyford. This album is basically a 52-minute, 27-part song of the best fusion progressive metal out there, and I keep going back to it quite regularly. Two years later, and we’ve got The Psychic Planetarium. Does it raise the bar for the future or does it fail … Read more
Oxford, UK’s progressive fusion duo Bambino dell’Oro‘s latest album Los Belvos is a set of sumptuously textured modern jazz pieces underlaid by complex grooves. The core of the band is made up by two multi-instrumentalists specializing on drums and piano/keyboard respectively, but they also have a bassist with them most of the time and occasionally a soprano sax player as well on this release.
The album’s overall feel is energetic, effortlessly flowing between odd time signatures that are given time to breathe without overstaying their welcome. They make strategic use of a wide texural palette including instruments such as … Read more
Reed player Sha has made a name for himself over the years among fans of the Swiss “zen funk groove” school of jazz pioneered by Nik Bärtsch and Don Li among others. The full-length debut from his project Sha’s Feckel, Feckel for Lovers, is a diverse and dynamic set of heavy jazz fusion tunes. Featuring Sha on sax together with a guitar, bass, and drums trio, this group weaves huge riffs with odd grooves within engaging and thoroughly fearless compositions.
The album starts out with “A,” a 13 minute piece that gradually crescendos from somber, pensive fusion to … Read more
Munich, Germany’s Panzerballett has been one of my favorite bands for some time now. Merging the intricate brutality of progressive metal with the grace and elegance of modern jazz together with a dash of German humor and a healthy awareness of how bizarre this combination is, they are in my opinion one of the most original and virtuosic bands active at this time. Their fifth full length album, Breaking Brain, sufficiently expands on the formula that they’ve developed over the years and manages to meet my high expectations yet again.
Featuring a sax player in what would otherwise be … Read more
Glass Skies is a UK-based one-man band by Oscar, active since at least 2014, according to bandcamp releases. A Nature of Sorts is his first actual release, if we don’t count three singles and a backing track mini-EP.
His debut EP is a 5-song, 18-minute listen that adds a few djent elements to an otherwise jazz fusion sound, which is, for the most part, pretty laid back and contemplative but still instrumentally interesting. On that point, there is a little extended instrumentation that is fun to listen to: stuff like xylophone on Nice Monster and piano on the title track, … Read more