I’ve been into the progressive rock band Beardfish for a while, my favorite album of theirs being their two parter “Sleeping In Traffic.” I also enjoyed their latest album 4626+Comfortzone quite a bit. So I was excited to hear what the band’s frontman Rikard Sjöblom had in store for his second solo album “The Unbendable Sleep”.
Rikard’s unique and catchy melodies paired with his distinct vocals makes for some interesting music to say the least. This album flows well but also goes unexpected places. One of which being a short interlude track “Building A Tent For Astor” which is a … Read more
Armand Jourdain is a French self-taught musician who likes to blend djent to jazz and world/folk music. It’s really not the other way around because there is just so little heavy moments compared to the amount of lighter ones that it can’t be classified as a heavy metal release.
This short, three-track EP maintains this style of keeping the djent just for the more intense parts. This is a good trick, as it allows for a wide dynamic range, and the rise in intensity can be truly felt, rather than implied. However, it most likely turns off most djent kids. … Read more
This band was brought to my attention by someone posting it on our facebook page, describing it as “highly experimental flamenco”. I was immediately in love. Also I’d like to reiterate the fact that we do take submissions, so send us anything and everything you love and we’ll skim the best. Do you think I create new avant bands out of thin air? Nah, it’s all about connections.
So… Tower is Túcan‘s second full-length album, and their fourth release if we don’t count the singles that ended up on this album. Straight away, the band is a “big band” … Read more
Momentum started out in 2003, in the capital Reykjavik, where more than a third of Iceland’s population resides. With black and death metal roots, they have evolved their very own sound, which could be vaguely described as psychedelic progressive doom. Their latest album, The Freak Is Alive, shows the band in its best form yet: heavy and slow riffs, intricate drumming, low vocals that sound like they’re from a Russian choir, and the use of uncommon instrumentation in some parts (sitar and bells, for example). All of this makes for an interesting listen that doesn’t wear out after repeated… Read more
The rhythm section on Mockroot (from left to right), Sam Minaie (bass), Tigran Hamasyan, and Arthur Hnatek (drums) CREDIT: Maeve Stam
Being a musical genius is hard. Not in the, “Oh, I’m a musical genius, I’m so oppressed, pity me” sense, but rather in the sense that one must live up to the expectations one has created. This is of course not a problem limited to the realm of music; all artists must ultimately struggle with it. If an artist has released material before, their new work is inevitably, and necessarily, put into a particular context. One must walk a … Read more
Becca Stevens‘ crowdfunding campaing was probably the most infuriating one I’ve ever participated in. Their new album, Perfect Animal was set on being released in fall of 2014, and was crowd-funded to cover the expenses of recording, mixing and mastering (which was already made at that point), and to fund the promotion, album art, and printing vinyl and CD. I am really fine with this kind of crowdfunding: the album’s [almost] ready for delivery, and even if the goal was not met, it would still get released, not like other shitty campaigns.