Brandon Seabrook – Needle Driver

Needle Driver is the latest experiment of Brooklyn musician Brandon Seabrook. The hard-to-describe EP seamlessly bridges contemporary classical music, experimental jazz, and mathcore into a nasty instrumental tapestry. The trio even includes some microtonal intervals, spotted in the song “Venwhorerisin'”. The five compositions are too quickly gone, but they provide an endless amount of entertainment while they last: uncommon time signatures, odd harmonies, complex and exhausting melodies, as well as a knack for deranged structures that somehow hold themselves together. Needle Driver goes left and right, up and down, forwards and backwards, and I’m sure it also goes wild … Read more

Tvivler – Negativ psykologi #3

The punkish hardcore-n-roll quartet Tvivler, from Denmark release their third Negativ psykologi seven-inch tomorrow. I covered their first one in 2015, but since then they released #2 last year – of which I had no word –, and #3 just now! In the same line as #1, the two most recent ones range from ten to fifteen minutes and boast some aggressive neck-breaker tracks. One of the most interesting, however, is “Oprydning”, which is almost entirely a drums and vocals duo, that is until the bass hits a few notes near the end as a sort of … Read more

Five the Hierophant – Over Phlegethon

Doom metal comes in all shapes and forms. And, often, the most peculiar of them are the most intriguing. Enters Five the Hierophant, a trio from London that makes doom their very own way. The most striking aspect of the band’s sound is, of course, the use of instruments seldom heard in metal music: djembe, Tibetan horn, violin, saxophone (though this last one is now rather common sight)… Beyond this, they also take a heavy leaning on drone passages, spoken word excerpts, and a natural sense of song progression and structure. All of this can be found on their … Read more

Coma Cluster Void – Thoughts from a Stone

Thoughts from a Stone was actually the first ever teaser released for the Coma Cluster Void experiment, all the way back in 2014. Back then, I suppose it was going to end up on their upcoming full-length, with the slogan “Aural Representation of Pain and Suffering” – Mind Cemeteries –, but the composition probably expanded or reiterated to what it is now: a twenty-two-minute, six-part suite of contemporary death metal. Contemporary? Yeah, I feel that this adjective better suits their sound than the rather narrow definition of “tech-death” or the vague “experimental” and “avant-garde” tags. “Math metal” is a good … Read more

II II II – Frequency Illusion

Leeds-based mathcore one-man band [reference needed] II II II (read “two two two”) released their debut album, A Conundrum on My Coffee Table, which we adored, back in 2012. Fast forward four or five years, and they share some work-in-progress demos on their facebook page, stating that they were looking for a new vocalist. Without it being announced officially, they found one! The name hasn’t leaked yet, but the voice remains in the same vein as before. Well, here we are now: we received an advanced digital copy of Frequency Illusion, coming out on September 22. What is … Read more

Ehnahre – The Marrow

Ever since Douve came out, in 2016, I’ve held the Boston avant-garde doom metal quartet Ehnahre in the highest of regards. Earlier this month, they released their newest experimentation on The Marrow, a four-track, fifty-three-minute slab of slow, heavy, and unbridled contemporary music. Yes, Ehnahre swims pretty close to modern classical music with their compositional approach, a feeling reinforced by their use of contrabass and piano. The band’s long, drawn-out pieces are very atmospheric and even entrancing, often relying on slow, repeated motives and spoken word passages to build a ritualistic summoning of heartfelt and mystic music. The outstanding … Read more

Sewing Circle – Nausea

Sometimes, we need to take a step back and take a listen to something that really makes you ask yourself “can this even be called music?” Of course, the answer is almost always a resounding “yes!”, but, to the neophyte’s ear, the answer might not be so clear-cut. Enters Sewing Circle, the project of Arturo, Noah, and Patrick – the latter of whom we already wrote about many times for his involvement in some of today’s wildest and most interesting musical projects – is, I believe, an improvisation-based experimental noise rock trio. The nearly thirty-minute EP is adventurous and, … Read more