Ex Eye – Ex Eye

We’re not new to the name of Colin Stetson, decidedly one of if not the best saxophone player of recent history. Although his works have been a lot into the ambient spectrum, his recent Sorrow: A Reimagining of Górecki’s Third Symphony is where he brought himself into the lands of metal. Being now part of the new band Ex Eye, his fast, relentless, versatile, and innovative playing style is a perfect match for the blackened doom they spew out. Whether they drone on in drawn-out atmospheric passages or tempestuously stampede during blast beat parts, Stetson is at the forefront, … Read more

Palmless – The Nine Exits

Sweden’s band Palmless just released their debut album, The Nine Exits, on bandcamp. If I were to be bold, I’d say they play post-blackgaze, but this wouldn’t paint the whole picture. Indeed, they seem to pour post-rock tendencies into their blackgaze compositions, or perhaps it’s the other way around, and, on top of that, there is a bit of noise rock and dark pop all wrapped in an indie vibe that permeates throughout the album’s half-hour runtime. The guitars are barely distorted, mostly receiving the overdrive treatment, and the bass guitar is almost totally dry, too. The drums don’t … Read more

Orthodox – Κρέας

‘Orthodox’ is a rather antithetical name for such a band as this one. Indeed, the Sevillan experimental doom jazz trio don’t play by the rules, and don’t like to follow traced paths. Their most recent works are a melting pot of absurdly low and distorted bass guitars and twirling saxophones playing what they call experimental doom metal influenced by religious folklore and jazz. With their latest release, the twenty-seven-minute single Κρέας (Kréas), they push the formula even further by it being a complete improvisation. There is no understatement in calling this a free jazz record, but that description alone would … Read more

Sevish – Harmony Hacker

You know that I’m a sucker for microtonal music. I still am quite critical of it, but I always applaud the effort put into it. So, it’s no surprise that I’m enjoying the new Sevish very much! The artist has proven themself time and time again with various successful releases, including my personal favourite, Rhythm & Xen. With Harmony Hacker, Sevish takes back where their 2015 full-length left, and offers us some high-quality electronic dance music, with drum and bass and IDM undertones, that’s surprisingly easy to approach considering its microtonal nature. Speaking of which, the songs vary … Read more

Vmthanaachth – Inferotemporal

Chamber music is, by definition, classical music played by a small group of instruments, where each member has its own independent partition to play. For example, string quartets and your usual metal band can, technically, be considered chamber music groups. Due to the minimalistic nature of the formula, it’s where we see the most experimentation happen. Indeed, it’s easier to gather a few people to play weird, boundary-breaking music than to convince a whole orchestra to do the same. Texan band Vmthanaachth is a quintet comprised of two guitars, a viola, and two saxophones. That is, according to some pictures … Read more

Araqsana – Araqsana

Once in a while, I get a personal email containing music that’s just above and beyond good. This time, that email came from Jackson Albert Mann, and the music is under the moniker Araqsana. Jackson is a post-graduate student at the Berklee College of Music, and his debut EP displays some very tasty jazz fusion. Jackson states he is influenced by hardcore punk, experimental electronic music, and jam bands. The latter I can feel in Araqsana, but the former two are much more subtle and it takes more than one listen to get a glimpse of them through … Read more

EXCLUSIVE SONG PREMIERE: Vmthanaachth – Holographic Speleothems Firsting a Hugeness of Twilight


Texan avant-garde chamber music ensemble Vmthanaachth, after expanding our minds with their debut, Fit secundum regulam, prepare for their sophomore release, Inferotemporal. Out on June twentieth, the album, which offers more than an hour of new challenging material, will come out on their bandcamp page along with its physical version. We have the pleasure of being the first to bring you the closing track. At over twenty minutes long, ‘Holographic Speleothems Firsting a Hugeness of Twilight’ is quite a journey (that’s an understatement). It’s harsh and comforting, brilliant and pitch black… It’s its own antithesis, and, instead … Read more

Schammasch – The Maldoror Chants: Hermaphrodite

The Swiss avant-garde black metal quatuor, not satisfied from having released perhaps the best triple-album ever just last year, is already back with The Maldoror Chants: Hermaphrodite. It’s sold as an EP, but crosses the thirty minutes threshold that is commonly used to distinguish EPs from full-lengths; it has seven tracks, but the whole thing feels like one continuous journey into the obscure places of our mind; it’s a work of art that goes above and beyond the traditional scope of black metal and the avant-garde… Indeed, the band themselves wrote that Hermaphrodite is an ‘artistic experiment’, and it’s … Read more

Glass Bell – Glib Glab

Music is a wonky art form. It’s so ethereal and intangible, unlike poetry or sculpture. It’s just variations in the density of a medium – air, most of the time –: they pass you by and you try to grab enough to make sense of them. You don’t get a second glance, you can’t hold it and analyse it thoroughly unless it’s transformed; either as notation or spectrum analysis. That’s why, I suppose, the most popular forms of music keep their message simple; more people can comprehend what they’re experiencing. Even then, it’s messy, it’s blurry, and, most of all, … Read more

(ghost) – Everything We Touch Turns to Dust

(ghost)‘s newest album, Everything We Touch Turns to Dust, was released on June second via n5MD. It’s my first experience with this project, and I must say I’m pleasantly surprised. The record delivers atmospheric IDM with some glitch aesthetics. At times, it sounds like qebrµs, but a million times less experimental and abstract, rather staying on the approachable and relatable side of things. Now, my knowledge of electronic music is quite limited, but Everything We Touch Turns to Dust is a record that I enjoyed a lot. At first glance minimalist, this façade covers some very interesting choices … Read more