Fire-Toolz – Interbeing

Angel Marcloid’s musical essays with Fire-Toolz paid off, as many lauded the black metal and vaporwave crossing sophomore Drip Mental. Now with the third iteration – Interbeing – finally out, we get to ask ourselves: “What more is there to say?” On the one hand, many of the praises and critics of Drip Mental still apply. The odd but fascinating offspring of two radically different musical genres is still as good, if not better, than ever – imagine slowed-down, funky pop tunes from the eighties (or an original composition aimed at mimicking that aesthetic) with screams and blast beats … Read more

Thantifaxath – Void Masquerading as Matter

Three years and a half after the release of their widely acclaimed debut album Sacred White Noise, Toronto’s progressive, mathematical, atmospheric black metal trio Thantifaxath is coming back with Void Masquerading as Matter. This four-track, thirty-six minutes EP sees the band expand the territories of their bleak kingdom with new ways of conveying rhythmically uncertain black metal. If they didn’t convince you yet with their debut full-length, – then, you’re a madman, but still… – this EP is certain to challenge your preconceived ideas on the genre and, at the very least, pique your interest. On top of … Read more

Botanist – Collective: The Shape of He to Come

I was a proponent of Californian experimental black metal project Botanist, when their debut double album, I: The Suicide Tree/II: A Rose from the Dead was released, back in 2011. At the time, it was new and pretty much unheard of, at least not widely so. The following albums, however, felt like mere reiterations on the same themes and a simple reorganization of the same core sounds and ideas; no matter how long you shuffle your salad, it’s still going to be the same salad. That’s why I was [cautiously] optimistic for Botanist’s new project: there was no roman … Read more

Jute Gyte – Oviri

Jute Gyte‘s sole member, Adam Kalmbach, is said to take some sort of break, or hiatus, after Oviri, the closing chapter of what I’ll call ‘The Colours Trilogy’. The only things that are in the works are a rumoured split release and an electronic music album for 2018. The end of an era is always something to grief, but also a moment to look forward to new beginnings. In the meantime, however, let’s discuss this latest progeny. Adam talked about striving to unite the two major aspects of his creative mind: the electronic and the black metal. Nowhere … Read more