Panu-Pekka Rauhala – 60 Songs in 60 Minutes

The Music

The Words

Please don’t skip this because of the cover art shown above. I know it’s probably the worst album cover you’ve seen recently – or, ever! –, but the music it forbids is worth your time, I swear! Honestly, I debated whether or not I should include the “artwork” in this review… But out of respect for Panu-Pekka Rauhala‘s artistic choices, I decided to keep it, at the cost of this very warning. Ugh, it’s such an ugly cover for such a good album… It could win many art anti-awards, of that I’m sure! Well… enough … Read more

Çub – Musique actuelle

Çub is the unlikely collaborative project between experimental math rockers Ça and dub techno artist Submarine FM. As a spinoff of Ça, it had great shoes to fill in my eyes, and the dub aspect only made things more intriguing. The collaboration actually turned out pretty amazingly well! You still find the core of Ça – whacky off-kilter and odd-time riffs supplemented with onomatopoeic vocal absurdities –, but you now find a side of electronic music that’s an uncanny match, but the two marry perfectly. This lycée-themed album gives us plenty of lessons about life and music in … Read more

Chryste Panie – Chryste Panie

Chryste Panie – Polish for “Christ, Lord” – released their self-titled album earlier this year. The quatuor plays an interesting blend of free jazz and ambient electronic music inspired by devotional and shamanic music. Here, the synthesizers stick exceptionally well to the ritualistic free jazz aura the band is conveying. The droning notes and chords are exploited to their full extent by saxophonist Michał Małota, while the drummer and percussionist provide rhythmic continuity and occasional eccentricity. One of the defining moments of the album is on “Wejście”, when the folly picks up and a very rare entrance of a voice … Read more

Anomalie – Métropole

From the Montréal metropolis comes yet another jaw-dropping album. Anomalie is the alias of musician and producer Nicolas Dupuis, and Métropole is their debut EP. The strong grooves and heavy electronic funk are what will immediately jump to you upon listening, and you can’t help but be caught by the flow. This EP oozes of Snarky Puppy and Tigran Hamasyan, among many others, but with a definitely more electronic music edge to the jazz artists mentioned. Amidst all the keyboard and piano virtuosity lie beats in various feels, like the swing feel and other shuffles – among which some … Read more

The Tangent – The Slow Rust of Forgotten Machinery


Out this Friday is The Tangent‘s new album The Slow Rust of Forgotten Machinery, or “Where Do We Draw the Line Now?”. This politically charged prog album is very dense but enjoyable once you fully dig into it. It has some nice jazz sprinkled throughout and some great melodies and solos. There’s an electronic breakdown in the track ‘Slow Rust’; apparently the band brought in a DJ for those sections. They even got Chumbawamba founder Boff Whalley on as a guest vocalist. The slogan of this album is “The World Changed. Not the Band.” But, with this genre, … Read more

Love Theme – Love Theme

Love Theme is Alex Zhang Hungtai and Austin Milne on saxophone, and Simon Frank. Love Theme, their debut album, is a languishing and bleak experimental jazz recording edited from improvisation sessions. The record is droning over almost all its runtime, with electronic music elements complementing the saxophonic exchanges. It’s melancholic and atmospheric, reflecting on the past and reaching within. There is nothing flamboyant about this release – it’s actually quite drab –, but in being so it goes straight to the point it wants to make: an ode and elegy to love. Through the slow burn of noise percussions … Read more

(ghost) – Everything We Touch Turns to Dust

(ghost)‘s newest album, Everything We Touch Turns to Dust, was released on June second via n5MD. It’s my first experience with this project, and I must say I’m pleasantly surprised. The record delivers atmospheric IDM with some glitch aesthetics. At times, it sounds like qebrµs, but a million times less experimental and abstract, rather staying on the approachable and relatable side of things. Now, my knowledge of electronic music is quite limited, but Everything We Touch Turns to Dust is a record that I enjoyed a lot. At first glance minimalist, this façade covers some very interesting choices … Read more