(ghost)‘s newest album, Everything We Touch Turns to Dust, was released on June second via n5MD. It’s my first experience with this project, and I must say I’m pleasantly surprised. The record delivers atmospheric IDM with some glitch aesthetics. At times, it sounds like qebrµs, but a million times less experimental and abstract, rather staying on the approachable and relatable side of things. Now, my knowledge of electronic music is quite limited, but Everything We Touch Turns to Dust is a record that I enjoyed a lot. At first glance minimalist, this façade covers some very interesting choices … Read more
The Italian science-fiction atmospheric black metal trio Progenie terrestre pura will soon release their second full-length album, oltreLuna. With this opus, we see them at their most diversified and confident. Between the blast beats and the atmospheric keyboard pads, you’ll find elements of folk music like the flute on ‘[.Pianeta.Zero.]’, electronic dance music like the dubstep part of ‘[.oltreLuna.]’, and industrial metal. All these make for a really interesting and varied experience, something that is cruelly lacking in the atmospheric black metal landscape. The instruments on there sound very angular, almost mechanical, synthetic, but embedded in all that futuristic, … Read more
French quartet Asylon Terra recently released Blind Man Running, their first, full-length release. Between contemporary jazz, ambient music, and progressive rock, the compositions of Pierre Lordet, clarinetist of the group, take shape on this entrancing album. Anne Quillier, about whose sextet we already wrote, takes seat behind the omnipresent keyboards – the Rhodes and Moog -, while Lucas Hercberg takes bass duties, and Clément Black takes care of the drums. The whole is an astounding result. Blind Man Running will take your breath away. The vast soundscapes played here will submerge you, and even the harder-hitting compositions – … Read more
Between noise and hardcore, Austrian group It’s the Lipstick on Your Teeth just released the highly-anticipated Skintrade, a thirty-minute escapade into noise punk that will leave you asking for more. Michelle’s aggressive yet melodic vocals are at the forefront of the band’s assault, which is heavily complemented by synths and samples, which make up most of the background instrumentation. Although quite short, the album is not short of great moments, either memorable melodic phrases or sublime digital bombardments. In conclusion, Skintrade is a very worthy addition to your noise punk playlist.
B L A C K I E… All Caps, with Spaces – yes, that’s the full name and stylization – is an experimental metal duo from Houston, Texas, and Remains is their latest release. The album starts off with a minimalistic piano-saxophone-voice trio that still sets the tone for what is about to happen, although things get much darker and heavier. Most of the music is made from saxophone, keyboards, programmed drums, and samples that create a chaotic, ambiguous space full of contradictions. Yet, there is beauty to be found on there. Beauty in the chords and their progressions, in … Read more
That’s the new project of Hunter Hunt-Hendrix, most famous for being the brain behind the American black metal band Liturgy: Kel Valhaal. Borrowing the name from a song on “The Ark Work”, the latest of his other band’s albums (more on that later), it completely lets go of the black metal aesthetics in favour of a completely electronic soundscape, along with clean, monotonous vocals. While most of Liturgy’s work can be labeled as metal, The Ark Work did go into extremely experimental territory, abandoning harsh vocals and bringing in the sound of bells… lots of bells. Kel Valhaal has … Read more
Their first album in 8 years (during which time the band disbanded and reformed), Falling Satellites is the much anticipated third album from Jem Godrey’s Frost*. Their critically acclaimed debut album Milliontown remains one of my favorite prog albums, and while I wasn’t as into the follow-up in 2008 Experiments In Mass Appeal (the mix on the first two tracks was strange, with the quiet sections being barely audible and the loud sections blowing out your speakers) I was excited to hear what was next for the band.
The intro to the album, ‘First Day’, is a soft ambient … Read more
Released last year on June 22, 2015, Armonite’s second album, and first album in 15 years The Sun Is New Each Day is a vibrant instrumental prog album that is full of both complex and beautiful melodies. The prominent electric violin reminds me a bit of the Dixie Dregs. The album sounds like a Soundtrack at times, which makes sense since the band has published videos of a few movie theme covers from their show The Soundtrack is New Each Day. In fact, it sounds more like a video game soundtrack to me. ‘‘G’ as in Gears’ could easily … Read more
In today’s world, the modern metal scene finds itself facing an odd paradox of being more diverse and varied than ever before, while also having a notably larger number of puritans than a lot of other music scenes. As such, the word “gimmick” gets thrown around way more than it has any right to be, and with an act like The Algorithm I’d say that finding this label tossed about is pretty much a given. However, with the release of its latest album Brute Force, The Algorithm not only completely dismisses the notion of being merely a “gimmick act” … Read more
Electro-djent band Novållo long teased us for their new material, and we finally get to hear some of it! Betty Phage Goes To Bronxton is the first single from their second album, simply titled “Novallo II” (without the å, much to our dismay). Gino teased us of his experimentation with distortion sounds, and I guess it wasn’t for nothing! The guitar sounds very processed, almost sounding like noise is coming through, but it gets the effect it sought. Also, I think I’ve never heard a swing-felt djent song, and I’m glad that this day has finally happened. In … Read more