That’s the new project of Hunter Hunt-Hendrix, most famous for being the brain behind the American black metal band Liturgy: Kel Valhaal. Borrowing the name from a song on “The Ark Work”, the latest of his other band’s albums (more on that later), it completely lets go of the black metal aesthetics in favour of a completely electronic soundscape, along with clean, monotonous vocals. While most of Liturgy’s work can be labeled as metal, The Ark Work did go into extremely experimental territory, abandoning harsh vocals and bringing in the sound of bells… lots of bells. Kel Valhaal has … Read more
Their first album in 8 years (during which time the band disbanded and reformed), Falling Satellites is the much anticipated third album from Jem Godrey’s Frost*. Their critically acclaimed debut album Milliontown remains one of my favorite prog albums, and while I wasn’t as into the follow-up in 2008 Experiments In Mass Appeal (the mix on the first two tracks was strange, with the quiet sections being barely audible and the loud sections blowing out your speakers) I was excited to hear what was next for the band.
The intro to the album, ‘First Day’, is a soft ambient … Read more
Released last year on June 22, 2015, Armonite’s second album, and first album in 15 years The Sun Is New Each Day is a vibrant instrumental prog album that is full of both complex and beautiful melodies. The prominent electric violin reminds me a bit of the Dixie Dregs. The album sounds like a Soundtrack at times, which makes sense since the band has published videos of a few movie theme covers from their show The Soundtrack is New Each Day. In fact, it sounds more like a video game soundtrack to me. ‘‘G’ as in Gears’ could easily … Read more
In today’s world, the modern metal scene finds itself facing an odd paradox of being more diverse and varied than ever before, while also having a notably larger number of puritans than a lot of other music scenes. As such, the word “gimmick” gets thrown around way more than it has any right to be, and with an act like The Algorithm I’d say that finding this label tossed about is pretty much a given. However, with the release of its latest album Brute Force, The Algorithm not only completely dismisses the notion of being merely a “gimmick act” … Read more
Electro-djent band Novållo long teased us for their new material, and we finally get to hear some of it! Betty Phage Goes To Bronxton is the first single from their second album, simply titled “Novallo II” (without the å, much to our dismay). Gino teased us of his experimentation with distortion sounds, and I guess it wasn’t for nothing! The guitar sounds very processed, almost sounding like noise is coming through, but it gets the effect it sought. Also, I think I’ve never heard a swing-felt djent song, and I’m glad that this day has finally happened. In … Read more
Taking up enough space to fill two complete CD’s and a half with its 200 minutes of play time, experimentalists Wozzeck‘s Act 5 is an experience in tediousness, repetitiveness, droning, long polyrhythms, and slowly evolving music.
The album is divided into 5 parts, each of 40 minutes, and each with its fundamental concept. It was recorded as a trio consisting of bass, drums, and a computer/keyboards/electronics/voice/guitars person, who happens to be the mastermind behind the project, Ilia Belorukov. The first part, “Act 5.1”, stems from a single 11/8 bar at 120 bpm, and is divide in 8 parts with … Read more
Here’s the monthly recommendations post you’ve awaited for so long! Ah, who am I kidding? I’m the only one reading this blog! Anyways, what are the unmissable releases of July 2015, according to the three-legged raven?
First off is Ethan McKenna‘s sophomore, In Transition. It’s what I’d call an acoustic prog album. Ethan makes use of advanced techniques on his acoustic, like percussive playing, loads of harmonics, and some slap and tapping too, for good measure. Even though its main focus is on the acoustic guitar, it’s well-accompanied by the usual bass and drums, and sometimes even by … Read more
Therefore, the music in there might be quite hard to grasp for somebody who’s only heard 12-tone equal temperament (12-TET) all their life, taking up practically … Read more
What they usually did with guitars, bass, drums, and vocals, they now do only with synthesizers, and the result is marvellous. It’s no surprise, because they were already incredibly talented … Read more
ZIA is, for the most part, a one-woman microtonal pop band, with Elaine Walker behind the wheel. Releasing albums since 1998 under the monicker ZIA, and experimenting since the very beginning with xenharmonic tunings, Drum’N’Space is the first all-microtonal album. On top of it all, this album is said to be only part of an epic space rock opera that is in the works! If that doesn’t scratch your weird music itch…
Drum’N’Space is written in multiple tunings. The first song is in 17 notes per octave (or EDO, for equal divisions of the … Read more