The Icelandic entity Seiðlæti recently released their debut album, Þagnarþulur. The folk music duo – Uni and Reynir – interprets there seventeen poems with minimalistic, ritualistic percussions conveyed by a total of six musicians. Right off the bat, I have to draw some easy comparison between Uni’s voice and world-famous Icelandic singer Björk. Both voices share some timbral similarities, especially when referring to the less experimental, folk side of the latter. Maybe it’s the inherent sonority of íslenska that bring the two closer in my head, but whether that is the case or not, I want you to know … Read more
Gravetemple‘s newest barrage of sound, Áthatolhatatlan félelmek (English title: Impassable Fears), comes out on June second. This experimental, droning, and abstract death metal album consists of Hungarian chants screamed through a musical haze consisting of mostly low-register notes, uncertain rhythmics, and absent melodies. If you want a more imaged comparison, I’d say it’s like listening to Portal underwater. Áthatolhatatlan félelmek is really an odd but entrancing release. It’s relatively short, the meat of it being concentrated in three songs – ‘A szarka’, ‘Elavúlt földbolygó’, and ‘Áthatolhatatlan félelmek’ -, making up around twenty-seven minutes, and the three other tracks … Read more
Danish and American bands LLNN and Wovoka unite on a split album regrouping the former band’s part, Marks, and the latter’s, Traces. The synth-tinged blackened doom of LLNN is perfect for a soundtrack to pessimistic futurism, with its slow, droning, and heavy riffs atop which the singer screams his wrath. The six tracks of this first side make up a little less than twenty minutes, the same as Wovoka’s single song, ‘Traces’. While I was unfamiliar with the Denmark armada, Wovoka’s latest album, Saros, stuck with me as an example in post-metal. They’ve put yet another badge … Read more
Dreare is an instrumental post-metal band from the Czech Republic, whom I was introduced to last year when Dave covered them in a One Sentence Review. Being a fan of instrumental metal I decided to check them out, and i’m glad I did!
The trio’s debut album, Blank and Forward, is full of subtleties and nuances. Reverb and feedback are used heavily, making the music sound raw and natural. The lack of complexity in the music also helps accentuate this, as you’re paying just as much attention to the space in between notes, as you are the … Read more
The first thing we realize upon setting foot in Deathtrip’s personal hell is that this album contains something reminiscent of the great black metal records of the 90s. Riff-wise and sound-wise, it definitely sounds up to date, but its primitiveness and immediacy surely recaptures some of the old magic of the genre’s origin.
After a brief intro, we are taken aback by the razor-sharp riffing of the ‘Flag of Betrayal’. Aldrahn’s performance is definitely a highlight (as is in every song), his versatility and charisma give him a primary role, driving the listener through his own uninhabited and inhospitable … Read more
Nott has, since the project’s inception, been about ultimate heaviness and bleakness. I’ve known this one-man project since the Obsidian Depths EP, and I have also downloaded their first work, Devouring Deities. All of them fulfilled my needs for insanely heavy, slow, dissonant and distorted music. The new arrival, Abyssal, is no different.
Spewing the tale of the God of Hatred eradicating humanity, Abyssal takes us to new musical depths. From what I can tell, he’s tuning in A or A#, which is pretty damn low, supporting the concept of the abyss and surely … Read more
Snailking are, truly to their name, the kings of slow, sludgy, heavy, moody, drony doom music. Their sophomore album Storm only confirms that claim, and for those who can appreciate that kind of music, it’s a good one!
The slowly crawling riffs, the desperate cries, and the confined sound of the drums make for a particularly deranging experience, one that would be better appreciated in a live setting with the loud and constant drone inside your guts, and the pounding bass drum that makes your whole chest resonate. However, it is a problem that every band in … Read more
vod is a one-man experiment aiming at using the sub-bass frequency range to make utterly terrifying and tremendously heavy music.
The first full-length album, deciduus, was written and recorded in under two days completely. In order to play that low, the guitar parts are played on bass. And even then the string is really flubby! The tone on which most of the album is played to is A-1. To make sure you all understand well what this implies, let’s do some explaining.
The standard A string on a guitar is tuned to 440 Hz, it’s called … Read more
A preview of the album can be streamed from Souncloud:
This split release bearing the aberrant title ‘Quantum of Abstract Physics’ is slowly processing it’s final phase and the result is surely of remarkable proportions, something that was actually fairly expected. Featuring two of the most interesting and intriguing underground dark ambient bands I’ve heard, as of recently, joined forces into an album that could be considered as not of this earth, just like the imagination of the concept clearly manifests. This lengthy prologue is directed to LEBEN OHNE LICHT KOLLEKTIV and IMMEMORIAL, and their masterminds I.Luciferia, Damien … Read more