Five the Hierophant – Over Phlegethon

Doom metal comes in all shapes and forms. And, often, the most peculiar of them are the most intriguing. Enters Five the Hierophant, a trio from London that makes doom their very own way. The most striking aspect of the band’s sound is, of course, the use of instruments seldom heard in metal music: djembe, Tibetan horn, violin, saxophone (though this last one is now rather common sight)… Beyond this, they also take a heavy leaning on drone passages, spoken word excerpts, and a natural sense of song progression and structure. All of this can be found on their … Read more

Big|Brave – Ardor



Big|Brave is a Montréalais doom-leaning experimental rock trio, and they’re releasing their latest full-length, Ardor, on September fifteen. With only three tracks, the album manages to go on for almost forty-five minutes. Their sound is overwhelmingly huge and hopelessly, crawlingly slow, yet Robin’s voice, at the forefront of the music, sounds fragile and vulnerable. This apparent dichotomy moulds Big|Brave’s sound into something rather unique. The desolate songs are really drawn out and quite uneventful, but so emotionally crushing it’s terrifying. With only two guitars and a drumkit – and a voice –, Big|Brave are able to craft some of … Read more

Gravetemple – Áthatolhatatlan félelmek

Gravetemple‘s newest barrage of sound, Áthatolhatatlan félelmek (English title: Impassable Fears), comes out on June second. This experimental, droning, and abstract death metal album consists of Hungarian chants screamed through a musical haze consisting of mostly low-register notes, uncertain rhythmics, and absent melodies. If you want a more imaged comparison, I’d say it’s like listening to Portal underwater. Áthatolhatatlan félelmek is really an odd but entrancing release. It’s relatively short, the meat of it being concentrated in three songs – ‘A szarka’, ‘Elavúlt földbolygó’, and ‘Áthatolhatatlan félelmek’ -, making up around twenty-seven minutes, and the three other tracks … Read more

Rorcal – Κρέων, an Analysis Of

creon-hd-front-coverGenève-based Rorcal have an extensive catalogue of furious and obscure metal that goes all the way back to 2007, with their debut EP, The Way We Are, The Way We Were, The Way We Will Be…. Throughout the years, they have carved a name for themselves in the metal community by pushing the boundaries of doom and black metal, releasing songs up to 70 minutes in length, and never making any compromise – be it on their artistic vision or the quality of their releases. Világvége, in particular, brought them to a wider audience, including myself. On March … Read more