B L A C K I E… All Caps, with Spaces – yes, that’s the full name and stylization – is an experimental metal duo from Houston, Texas, and Remains is their latest release. The album starts off with a minimalistic piano-saxophone-voice trio that still sets the tone for what is about to happen, although things get much darker and heavier. Most of the music is made from saxophone, keyboards, programmed drums, and samples that create a chaotic, ambiguous space full of contradictions. Yet, there is beauty to be found on there. Beauty in the chords and their progressions, in … Read more
Gravetemple‘s newest barrage of sound, Áthatolhatatlan félelmek (English title: Impassable Fears), comes out on June second. This experimental, droning, and abstract death metal album consists of Hungarian chants screamed through a musical haze consisting of mostly low-register notes, uncertain rhythmics, and absent melodies. If you want a more imaged comparison, I’d say it’s like listening to Portal underwater. Áthatolhatatlan félelmek is really an odd but entrancing release. It’s relatively short, the meat of it being concentrated in three songs – ‘A szarka’, ‘Elavúlt földbolygó’, and ‘Áthatolhatatlan félelmek’ -, making up around twenty-seven minutes, and the three other tracks … Read more
Only available on a very limited edition cassette tape, Crystal Larva‘s Sacrificial Blade is an intriguing phenomenon. The ten-minute, self-titled track is the only thing there is on tape, and the format makes it less than ideal for an accurate playback of the original material – the excerpt available on bandcamp is of much better quality than what you will be able to get on any tape player -, but it’s an interesting experience and composition. For the unboxing experience, I have written a post on Heavy Blog Is Heavy that should come out during the next week describing … Read more
It’s not every day that you see a math rock quintet delivering an album that’s as whacky as the more experimental duos and trios out there, but that’s just what Los Angeles’ Featherwolf have done. Their eponymous debut album cooks bands like Doom Salad and Yowie and dissolves them into something less volatile, more manageable, but that still has a lot of angles and personality. Featherwolf isn’t for the faint of heart, you definitely need to like your rock spicy and varied. It’s a great, entertaining EP, and a promising start for the band!
Wovette is the pseudonym of Californian musician Brady Miller, who has made a name for himself in many bands, including the infamous Upsilon Acrux on guitars. Steeple is the latest effort from this solo project, and it’s comprised of eighteen short compositions for acoustic piano. Made to be played by whom I do not know, but the superhuman that succeeds will probably have turned its tendons to goo in the process. So much so that I think they could only be played by a pianola (a self-playing piano often seen in the context of American Far West saloons) or, effortlessly, … Read more
mulating our opinion of an album before diving back into the endless sea of new releases. Sometimes, however, a confluence of factors generates a scenario in which one album stays in rotation for an extended stay before pen gets put to paper. White Ward‘s Futility Report is an album I’ve been trying to write about since January, when I heard its first publicly released song. It took about 30 seconds of that track to convince me this was a band worth paying attention to. They were kind enough to send me a review copy, but shortly thereafter, the always-excellent … Read more
The Swiss avant-garde black metal band Schammasch – name taken from Šamaš, the Mesopotamian God of Justice – will release their third full-length album, simply titled Triangle, on April 29th. As the name suggests, the concept of this highly ambitious work is tripartite, each side clocking in at 33:30. Yes, that makes for more than a hundred minutes of music! Inspired by Richard MacDonald‘s sculptures, the cover album portrays circus artist Sasha Krohn, falling into nothingness, photographed by Ester Segarra. Every side of the Triangle has its own identity, and feels very unique, they deal with various concepts, … Read more
The release of the much-anticipated Odyssey to the West, from the progressive deathcore band Slice the Cake, has been somewhat obfuscated by some internal problems. I do not wish to delve into this, but rather write about the music itself, the lyrics, and the concept surrounding it all. Understand that I do not take any side there, but merely observe the fact that the music is out there for everyone to hear, and that I wish to express my opinions on it, as well as expose the underlying storyline. Today, I will cover the Gallows part. So without … Read more
Kurushimi is a new collective of sorts including members of Serious Beak, Instrumental, adj. (bands we have covered here on CTEBCM!), Fat Guy Wears Wolf Shirt, as well as a few other members. They just dropped their self-titled debut on Art as Catharsis, and I’m going to be up front with you: there is no point trying to attach genres to this (so naturally we’re going to try it!). Like all great music, it defies easy attempts at description and categorization.
The first question that came to me upon hearing of this project: What does Kurushimi mean, anyway? Knowing nothing … Read more
When one first hears of the band Fire!, one may be tempted to first imagine a hardcore punk act, brutally tearing down establishments one performance at a time; an in-your-face barrage of aggression which unleashes your adrenaline and demands your attention. Is this not how one would generally imagine “Fire!” after all? A cry shouted out in the wake of uncontrollable destruction which will shortly reduce all around it to ash? It is a powerful force to say the least.
Yet there is another, more subtle side to fire which many tend to overlook. The flames can emerge, small … Read more