EXCLUSIVE SONG PREMIERE: Vmthanaachth – Holographic Speleothems Firsting a Hugeness of Twilight


Texan avant-garde chamber music ensemble Vmthanaachth, after expanding our minds with their debut, Fit secundum regulam, prepare for their sophomore release, Inferotemporal. Out on June twentieth, the album, which offers more than an hour of new challenging material, will come out on their bandcamp page along with its physical version. We have the pleasure of being the first to bring you the closing track. At over twenty minutes long, ‘Holographic Speleothems Firsting a Hugeness of Twilight’ is quite a journey (that’s an understatement). It’s harsh and comforting, brilliant and pitch black… It’s its own antithesis, and, instead … Read more

Schammasch – The Maldoror Chants: Hermaphrodite

The Swiss avant-garde black metal quatuor, not satisfied from having released perhaps the best triple-album ever just last year, is already back with The Maldoror Chants: Hermaphrodite. It’s sold as an EP, but crosses the thirty minutes threshold that is commonly used to distinguish EPs from full-lengths; it has seven tracks, but the whole thing feels like one continuous journey into the obscure places of our mind; it’s a work of art that goes above and beyond the traditional scope of black metal and the avant-garde… Indeed, the band themselves wrote that Hermaphrodite is an ‘artistic experiment’, and it’s … Read more

Glass Bell – Glib Glab

Music is a wonky art form. It’s so ethereal and intangible, unlike poetry or sculpture. It’s just variations in the density of a medium – air, most of the time –: they pass you by and you try to grab enough to make sense of them. You don’t get a second glance, you can’t hold it and analyse it thoroughly unless it’s transformed; either as notation or spectrum analysis. That’s why, I suppose, the most popular forms of music keep their message simple; more people can comprehend what they’re experiencing. Even then, it’s messy, it’s blurry, and, most of all, … Read more

EXCLUSIVE PREMIERE: Les chants du hasard – Chant I: Le théâtre

French avant-gardist black metal project Les chants du hasard release their debut, self-titled album on June twenty-third. We’ve already reviewed the amazing and forward-thinking album right here, but, today, we team up with the band and I, Voidhanger Records to bring you a new song in anticipation of the release.

‘Chant I: Le théâtre’ is the album’s first track, and it puts all on the table. You’ve got the whole orchestra with their melancholic and slightly dissonant beauty, the gravelly and pitiless vocals, as of a decadent opera, sing hopeless lyrics in this devoid of any light chant. It … Read more

Bubblemath – Edit Peptide

Edit Peptide is the latest achievement of American eclectic and hectic progressive act Bubblemath. Out on May twenty-sixth through Cuneiform Records, this set of intellectual compositions might burn a fuse or two in your brain. That’s prog done right, and giving back the literal epithet of the genre. Complicated multi-part harmonies and melodies go over compound and conflicting rhythmics with an ease only before seen with King Crimson, and some new bands from that truly-prog resurgence movement. However difficult they are to play and however deeply they have been written, the songs are incredibly accessible and don’t feel like … Read more

B L A C K I E… All Caps, with Spaces – Remains

B L A C K I E… All Caps, with Spaces – yes, that’s the full name and stylization – is an experimental metal duo from Houston, Texas, and Remains is their latest release. The album starts off with a minimalistic piano-saxophone-voice trio that still sets the tone for what is about to happen, although things get much darker and heavier. Most of the music is made from saxophone, keyboards, programmed drums, and samples that create a chaotic, ambiguous space full of contradictions. Yet, there is beauty to be found on there. Beauty in the chords and their progressions, in … Read more

Gravetemple – Áthatolhatatlan félelmek

Gravetemple‘s newest barrage of sound, Áthatolhatatlan félelmek (English title: Impassable Fears), comes out on June second. This experimental, droning, and abstract death metal album consists of Hungarian chants screamed through a musical haze consisting of mostly low-register notes, uncertain rhythmics, and absent melodies. If you want a more imaged comparison, I’d say it’s like listening to Portal underwater. Áthatolhatatlan félelmek is really an odd but entrancing release. It’s relatively short, the meat of it being concentrated in three songs – ‘A szarka’, ‘Elavúlt földbolygó’, and ‘Áthatolhatatlan félelmek’ -, making up around twenty-seven minutes, and the three other tracks … Read more

Crystal Larva – Sacrificial Blade

Only available on a very limited edition cassette tape, Crystal Larva‘s Sacrificial Blade is an intriguing phenomenon. The ten-minute, self-titled track is the only thing there is on tape, and the format makes it less than ideal for an accurate playback of the original material – the excerpt available on bandcamp is of much better quality than what you will be able to get on any tape player -, but it’s an interesting experience and composition. For the unboxing experience, I have written a post on Heavy Blog Is Heavy that should come out during the next week describing … Read more

Featherwolf – Featherwolf

It’s not every day that you see a math rock quintet delivering an album that’s as whacky as the more experimental duos and trios out there, but that’s just what Los Angeles’ Featherwolf have done. Their eponymous debut album cooks bands like Doom Salad and Yowie and dissolves them into something less volatile, more manageable, but that still has a lot of angles and personality. Featherwolf isn’t for the faint of heart, you definitely need to like your rock spicy and varied. It’s a great, entertaining EP, and a promising start for the band!

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Wovette – Steeple

Wovette is the pseudonym of Californian musician Brady Miller, who has made a name for himself in many bands, including the infamous Upsilon Acrux on guitars. Steeple is the latest effort from this solo project, and it’s comprised of eighteen short compositions for acoustic piano. Made to be played by whom I do not know, but the superhuman that succeeds will probably have turned its tendons to goo in the process. So much so that I think they could only be played by a pianola (a self-playing piano often seen in the context of American Far West saloons) or, effortlessly, … Read more