Danish and American bands LLNN and Wovoka unite on a split album regrouping the former band’s part, Marks, and the latter’s, Traces. The synth-tinged blackened doom of LLNN is perfect for a soundtrack to pessimistic futurism, with its slow, droning, and heavy riffs atop which the singer screams his wrath. The six tracks of this first side make up a little less than twenty minutes, the same as Wovoka’s single song, ‘Traces’. While I was unfamiliar with the Denmark armada, Wovoka’s latest album, Saros, stuck with me as an example in post-metal. They’ve put yet another badge … Read more
The Flower Kings is a band that really helped carry the torch in the 90’s that bands like Yes lit during the 60’s and 70’s, taking that style of Progressive Rock to a new level and continuing to help it grow. So it’s quite a treat to hear a collaboration between the leader of The Flower Kings, Roine Stolt, and the former lead vocalist of Yes, Jon Anderson. If you’ve ever wondered what a new Flower Kings album with the vocalist from Yes would sound like, Invention of Knowledge is it, as Anderson/Stolt make a perfect combination! As much as … Read more
Having not heard much of Sithu Aye’s catalog aside from a couple listens of their Senpai EP last year (which I definitely need to revisit now), I didn’t really know what to expect from their new album Set Course For Andromeda. After listening to it, I now realize I should have been paying more attention to this band, because it blew me away!
The album is split into two discs, the first one, is a collection of songs with no thematic tie to each other, and the second disc is a 29-minute suite about an alien Andromedan, which is … Read more
Their first album in 8 years (during which time the band disbanded and reformed), Falling Satellites is the much anticipated third album from Jem Godrey’s Frost*. Their critically acclaimed debut album Milliontown remains one of my favorite prog albums, and while I wasn’t as into the follow-up in 2008 Experiments In Mass Appeal (the mix on the first two tracks was strange, with the quiet sections being barely audible and the loud sections blowing out your speakers) I was excited to hear what was next for the band.
The intro to the album, ‘First Day’, is a soft ambient … Read more
Losing someone you love or care about is a moment that every human being endures at some time of their life; it is often described as a period of grief that takes enough time to overcome and it is represented in many ways depending on the people it affects. For Australian post-metal band We Lost The Sea, tragedy struck hard when their singer and friend, Chris Torpy, took his own life in early 2013. The band decided to move on and carry the legacy of their fallen brother; reinventing themselves with their 2015 release Departure Songs, creating a … Read more
The Swiss avant-garde black metal band Schammasch – name taken from Šamaš, the Mesopotamian God of Justice – will release their third full-length album, simply titled Triangle, on April 29th. As the name suggests, the concept of this highly ambitious work is tripartite, each side clocking in at 33:30. Yes, that makes for more than a hundred minutes of music! Inspired by Richard MacDonald‘s sculptures, the cover album portrays circus artist Sasha Krohn, falling into nothingness, photographed by Ester Segarra. Every side of the Triangle has its own identity, and feels very unique, they deal with various concepts, … Read more
I wasn’t introduced to Haken until early 2014 when I discovered their 2013 release The Mountain. I loved that album and immediately listened to the rest of their discography. Later that year, they released their EP Restoration which was an awesome look into their past, re-imagining and re-recording songs from their demo with higher production quality. Now, nearly two years later, we’re graced with a new full-length album called Affinity.
If you followed Haken’s facebook page closely in January of this year, you might have seen them post a few times about the name and content of the … Read more
The release of the much-anticipated Odyssey to the West, from the progressive deathcore band Slice the Cake, has been somewhat obfuscated by some internal problems. I do not wish to delve into this, but rather write about the music itself, the lyrics, and the concept surrounding it all. Understand that I do not take any side there, but merely observe the fact that the music is out there for everyone to hear, and that I wish to express my opinions on it, as well as expose the underlying storyline. Today, I will cover the Gallows part. So without … Read more
Sunless is a band from Minnesota created in 2014 and comprised of four members. With heavy influences from dissonant death metal acts such as Gorguts and Ulcerate, and a surprising audio quality considering it’s labeled a demo, Sunless will most certainly get people talking, and chances are that Demo 2016 is only the first of many great albums they put out. But why is it so good?
If you haven’t noticed already, it dwells on dissonance, and equipoises technicality with atmosphere. Indeed, the very first, lone arpeggiated and distorted chord from the song Born of Clay immediately screams “You’ve come … Read more
Amia Venera Landscape released their widely acclaimed album The Long Procession back in 2010, and we’ve all been eager to listen to new music from them since! Well, they wrapped up a cool gift for us in time for the winter solstice with “Hiraeth”, and a release date for Vision I: The Great Mystery: April 30th, 2016. Seems like they took their sweet time to carefully craft this album, and this rather short song, for their own standards, proves it! I just hope there’ll be longer songs since I think that’s where the band shines the most!… Read more