Sea In The Sky is a new up and coming band from California, and they focus a lot on melodic vocals and play djenty prog-pop metal with a slightly ambient feel to it.
Being quite technically proficient (what struck me is the slap bass solo in Tamagotchi) doesn’t mean they can’t put the vocals at the forefront. This makes it so that the band is pretty accessible to, well, anyone while remaining enjoyable for the musicians listening because there’s always something interesting that’s being played in the background. Be it the aforementioned slap bass solo, some guitar tapping riff, drums … Read more
Here’s the monthly recommendations post you’ve awaited for so long! Ah, who am I kidding? I’m the only one reading this blog! Anyways, what are the unmissable releases of July 2015, according to the three-legged raven?
First off is Ethan McKenna‘s sophomore, In Transition. It’s what I’d call an acoustic prog album. Ethan makes use of advanced techniques on his acoustic, like percussive playing, loads of harmonics, and some slap and tapping too, for good measure. Even though its main focus is on the acoustic guitar, it’s well-accompanied by the usual bass and drums, and sometimes even by … Read more
Momentum started out in 2003, in the capital Reykjavik, where more than a third of Iceland’s population resides. With black and death metal roots, they have evolved their very own sound, which could be vaguely described as psychedelic progressive doom. Their latest album, The Freak Is Alive, shows the band in its best form yet: heavy and slow riffs, intricate drumming, low vocals that sound like they’re from a Russian choir, and the use of uncommon instrumentation in some parts (sitar and bells, for example). All of this makes for an interesting listen that doesn’t wear out after repeated… Read more
Sevish has been known in the microtonal music circles for some time now, mostly due to his 2010 effort “Golden Hour”. 2015 marks the return of the man, with Rhythm And Xen, a xenharmonic effort leaning heavily on drum & bass and electronic music, as well as breakbeat and ambient music. For the uninitiated, xenharmonic is “music that does not sound like 12-tone equal temperament”, according to Ivor Darreg, who coined the term.
Therefore, the music in there might be quite hard to grasp for somebody who’s only heard 12-tone equal temperament (12-TET) all their life, taking up practically … Read more
Spectral Lore is best known for their contemplative, mournful progressive black metal, like in their latest LP III, which we loved! However, they’ve unveiled a facet of themselves that I did not know: ambient/electronic music. Those two music genres seem pretty antipodal, but, in the case of Spectral Lore, they serve the same purpose: create an atmosphere; immerse the listener into their world. The only difference is the approach.
What they usually did with guitars, bass, drums, and vocals, they now do only with synthesizers, and the result is marvellous. It’s no surprise, because they were already incredibly talented … Read more
Red Seas Fire originally intended on releasing one album’s worth divided into three EPs throughout one year. However, mostly due to band members changes I suppose, they ended up releasing one EP per year, throughout three years. What you’ve got is Exposition, Confrontation, and Resolution, a 3-EP, 12-track collection of about 60 minutes worth of music. I’ll begin by reviewing the latest one.
RSF make djent music but only to an extent. They don’t solely rely on riffing arrhythmia to build their songs. They put a good deal of chordal progression and melodies, kind of like how … Read more
Call me OCD, but the thing that bothers me the most about that album is the fact that the arms of the girl on the cover are pretty much the only thing that isn’t white on her body. I know it’s only a band name, and it’s maybe not even a representation of the Greek Goddess Athena, but still I waste way too much time thinking about this. Let’s move on.
The self-titled album is in more than one way different than their previous one, Astrodrama, which was pretty good … Read more
This is by far the heaviest release by the band! It has incorporated some elements of doom music, but kept their ambient soundscapes, probably even amped them up a little! There’s not much info else than this. Is this a single from an upcoming EP? Full-length? I don’t know, but I can wish!… Read more
As a young and talented extreme progressive metal act, Deconstructing Sequence, from the UK, begins to make waves in the community. Their latest two-song EP, Access Code, seems to follow the trend established by their debut EP last year: it’s harsh, it’s extreme, it’s good, but it’s short!
The sci-fi-inspired three-piece seems to succeed to their 2013 EP “Year One”, both concept-wise, and in music. Musically, it’s fast-paced and heavy, with the occasional lighter clean guitar with lots of effects on. Over the marathoning drums, the guitars and keyboards exchange places frequently. Similarly, … Read more