Some Happy Thoughts – Épiphanie

Born from Québec’s metropolis, Some Happy Thoughts is a metal band joining depressive suicidal black metal with doom. The lyrics, in French, talk about depression and the futility of everything, but elegantly so, with short poems fronting most tracks. There’s also a twist to it, an Épiphanie, hence the title. This vision of clarity brings a much appreciated silver lining to the suffocating black fog that the rest of the album represents. The full-length album is slow, heavy, and oppressively bleak, with a constant chirping tremolo guitar, a screaming but not shrieking vocalist, and decent production quality. Its nihilism … Read more

EXCLUSIVE SONG PREMIERE: Vmthanaachth – Holographic Speleothems Firsting a Hugeness of Twilight


Texan avant-garde chamber music ensemble Vmthanaachth, after expanding our minds with their debut, Fit secundum regulam, prepare for their sophomore release, Inferotemporal. Out on June twentieth, the album, which offers more than an hour of new challenging material, will come out on their bandcamp page along with its physical version. We have the pleasure of being the first to bring you the closing track. At over twenty minutes long, ‘Holographic Speleothems Firsting a Hugeness of Twilight’ is quite a journey (that’s an understatement). It’s harsh and comforting, brilliant and pitch black… It’s its own antithesis, and, instead … Read more

Kaguu – Hawkridge

Kaguu is a new three-piece progressive rock band from Mexico. Their debut EP, Hawkridge draws heavy influences from math rock and video game soundtracks as well, which explain for the most part the dreamy vibe you find yourself in when listening to it. The five-tracker, despite being deceptively short, is a joy to hear. The riffs are soothing, melodic, contemplative and memorable. Each instrument breathes, and sounds bright and clear, which makes the compositions even more enjoyable. Overall, it’s a really good little debut from Mexico’s latest band.

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Blumen – Mångata

‘Mångata’ is one of those words that can’t be directly translated. Although one could argue that no word can be translated exactly, because the two words will carry different insinuations and complex networks with a plethora of emotions, meanings, and other words. However, Wiktionary describes this swedicism as ‘the roadlike reflection of moonlight on water’, which is better conveyed by the EP’s artwork than any description. From foreign languages to the musical one, the issue remains. It’s incredibly difficult to put music into words because each chord, each progression, each rhythm, timbre, pitch, length has an unfathomable amount of cultural … Read more

Schammasch – The Maldoror Chants: Hermaphrodite

The Swiss avant-garde black metal quatuor, not satisfied from having released perhaps the best triple-album ever just last year, is already back with The Maldoror Chants: Hermaphrodite. It’s sold as an EP, but crosses the thirty minutes threshold that is commonly used to distinguish EPs from full-lengths; it has seven tracks, but the whole thing feels like one continuous journey into the obscure places of our mind; it’s a work of art that goes above and beyond the traditional scope of black metal and the avant-garde… Indeed, the band themselves wrote that Hermaphrodite is an ‘artistic experiment’, and it’s … Read more

Milco – 練馬

Milco is the most Animals as Leaders-like non-Animals as Leaders project I’ve listened to, recently. The debut EP of Raymond Milco, 練馬 (Nerima), is full of bittersweet technical djent riffs, with the common thumping, tapping, and advanced chords that are often lazily called jazzy. The twenty-odd minutes of the EP are made out of intelligent composition and ingenious ideas; the songs flow more intuitively than on The Madness of Many, AAL’s latest endeavour. Of course, Ray doesn’t come near the levels of virtuosity displayed by Messrs. Abasi, Reyes, and Garstka, the skills of Milco are more than appreciable and … Read more

Glass Bell – Glib Glab

Music is a wonky art form. It’s so ethereal and intangible, unlike poetry or sculpture. It’s just variations in the density of a medium – air, most of the time –: they pass you by and you try to grab enough to make sense of them. You don’t get a second glance, you can’t hold it and analyse it thoroughly unless it’s transformed; either as notation or spectrum analysis. That’s why, I suppose, the most popular forms of music keep their message simple; more people can comprehend what they’re experiencing. Even then, it’s messy, it’s blurry, and, most of all, … Read more

(ghost) – Everything We Touch Turns to Dust

(ghost)‘s newest album, Everything We Touch Turns to Dust, was released on June second via n5MD. It’s my first experience with this project, and I must say I’m pleasantly surprised. The record delivers atmospheric IDM with some glitch aesthetics. At times, it sounds like qebrµs, but a million times less experimental and abstract, rather staying on the approachable and relatable side of things. Now, my knowledge of electronic music is quite limited, but Everything We Touch Turns to Dust is a record that I enjoyed a lot. At first glance minimalist, this façade covers some very interesting choices … Read more

Exclusive Video Premiere: Ikarus – Ryuujin


We are pleased to present a live video of Ikarus performing ‘Ryuujin’ off their most recent album, Chronosome.

Ikarus is a Swiss contemporary jazz band with an interesting configuration. They take a typical acoustic jazz trio composed of piano, bass, and drums, and add two scat vocalists – one male and one female – to the mix. This results in a highly unique sound defined by sublime vocal interplay underlaid by dynamic compositions.

The human voice, unbound by language, is more versatile than any other instrument one might use. Ikarus certainly proves that with their stellar performance. The rhythm … Read more

Monthly Recommendations: May 2017

From this apparently so mechanical and inhuman score counterintuitively emanates so many emotions and thoughts, in strong waves of melancholy, passion, and amazement. The first, minimalistic moments betray a much more complex and dense interior. The fact that so much life vibrates from this synthesized offering only highlights the care and delicacy with which it has been crafted. Steeple is, without a doubt, a remarkable piece of work that all should try. A perfect blend of black MIDI and contemporary classical music.

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With this opus, we see them at their most diversified and confident. Between the blast beats

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