Australian and British entities Lost Salt Blood Purges and Boring Bathtimes have collaborated on a release of massive proportions, elegantly titled Yellow Fog Sword. On this release, Michael Snoxall (Lost Salt Blood Purges) set out to create a novel and its accompanying soundtrack with Oliver Aldridge (Boring Bathtimes), whom he already had made some small collaborations in the past. The original story of Michael ended up as a forty-four-page novelette, illustrated by Ov Exvn Infërnvz. Then, the outline of the music was created, with directions for pacing and events, and the task of coming up with music was handled … Read more
There is a trend in modern prog: some of the more popular bands are seeking to capitalize on their popularity via the age-old model of shifting to a poppier style with broader appeal – lowering their common denominator, as it were. Leprous’ debut single from Malina, ‘From the Flame’, suggested to some that the Norwegian titans might be drifting in that direction. They are certainly ripe for popularity, with their smooth and entrancing approach to metal composition and Einar Solberg’s appealing singing voice. However, I am pleased to report that, despite some of the structural elements being poppier… Read more
With members from Poland and Chile meeting in the Netherlands to play modern, progressive jazz together, Quantum Trio just released a massive hour-and-a-half-long double album, Duality: Particles & Waves. Besides being of massive scale and tremendous musicianship, Duality is a concept album on the wave-particle duality, an important concept in quantum physics. The first disc, Particles, is focused on the tangible, while the other one, Waves, embodies the ethereal facet of matter and energy. Concretely, the shift is very noticeable on the music itself. As per their own description, Particles contain polyrhythmic tunes and ballads, both undeniably … Read more
Australia’s experimental rock band Porcus vs. Equus just released a single, or short EP, under the name Music out of Shit. With merely three tracks and a runtime of just eight minutes, M.O.O.S. is very short, but also very sweet. First of all, ‘Wet Sugar (Player vs. Environment)’ is a magnificent song to begin with. Reminiscent of the Spaghetti Western aura of Robotmonkeyarm, with their reverb-laden, aggressively-plucked overdriven guitar notes, Porcus vs. Equus bring in some rhythmic and structural surprises into this complex ear-worm of a song. At over three minutes long, it’s the least concise of the triptych, … Read more
Last week, I’ve announced that I would be doing a Questions & Answers/Ask Me Anything type of post, and so this is it! I’ve received some questions over on facebook and on the website, so I’ll answer them the best I can here in this post!
First let’s see what’s on the website! First comment comes from James Marshall:
Just want to say that I love the blog! It’s in my daily bunch of webcomics and blogs and news that I check every morning when I get into work. Thanks for all the great recommendations!
Thanks a lot! … Read more
We recently discussed a band that takes math rock to the extremes in terms of technical skills, to the detriment of the ‘math’ aspect, but here’s a band that does the opposite. Marateck don’t play thirty-second notes and they don’t quickly arpeggiate extended chords, but they ingeniously integrate polyrhythmics and polymetrics into often odd-time signature compositions. This is more evidently displayed on their debut album, Time Is Over, which was released on July eleventh. Of course, playing such counter-intuitive timings and measure subdivisions is a technical feat in itself, but it unfortunately garners much less attention than playing … Read more
Spring and Summer are the two first releases of the Wildflowers tetralogy, but, as I’ve just come across this project, I’ll write about both EPs at once. Nhor was a British atmospheric black metal band who released a transcendental album in 2013, Within the Darkness between the Starlight. Since then, however, the project seems to have remained focused on the softer side of things, with 2015’s Momenta quintae essentiae and following shorter releases. All of their catalogue displays the same high standards of quality despite the genre change. The newest comers are the first two parts of Wildflowers, … Read more
Jute Gyte‘s sole member, Adam Kalmbach, is said to take some sort of break, or hiatus, after Oviri, the closing chapter of what I’ll call ‘The Colours Trilogy’. The only things that are in the works are a rumoured split release and an electronic music album for 2018. The end of an era is always something to grief, but also a moment to look forward to new beginnings. In the meantime, however, let’s discuss this latest progeny. Adam talked about striving to unite the two major aspects of his creative mind: the electronic and the black metal. Nowhere … Read more
With a slightly different approach than previous iterations of our yearly compilation, Year 5 is complete and will come out on July thirteenth, Thursday. In order to highlight the change, it doesn’t continue the Melocules – literally little music – series. Instead of regrouping songs at the whim of me and other collaborators, Year 5 compiles songs from albums that we have mentioned in our ‘Monthly Recommendations’ posts. So, it’s really a recap of the year, hence the title. All of what you hear is music that has been released from July 2016 to June 2017 inclusively. We have been … Read more