EXCLUSIVE PREMIERE: Ilevens – “Transmitter”


Ilevens is the latest brainchild of microtonal musician Brendan Byrnes, of whom we’ve already praised the projects here on this website, and Transmitter is their debut EP. The concept of Ilevens, formerly known as 11ins, was to form a full microtonal pop/rock band, and the chosen system was 22 equal divisions of the octave. After many demos, under both the 11ins and Ilevens monikers, Transmitter is ready, with two brand new compositions – “Solavai” and “Transmitter” – and re-worked versions of their earlier songs. While the uncommon pitches will surprise more than one person, the psychedelic, progressive, pop-rock style in … Read more

Thantifaxath – Void Masquerading as Matter

Three years and a half after the release of their widely acclaimed debut album Sacred White Noise, Toronto’s progressive, mathematical, atmospheric black metal trio Thantifaxath is coming back with Void Masquerading as Matter. This four-track, thirty-six minutes EP sees the band expand the territories of their bleak kingdom with new ways of conveying rhythmically uncertain black metal. If they didn’t convince you yet with their debut full-length, – then, you’re a madman, but still… – this EP is certain to challenge your preconceived ideas on the genre and, at the very least, pique your interest. On top of … Read more

EXCLUSIVE PREMIERE: Stream Ground Patrol’s Mathematical Debut Album, Drift


Oh, Art as Catharsis, it’s not the first time we praise you and undress our hearts to your fascinating gift for finding jaw-dropping new music from the island-continent of Australia. We can continue to deny we are total fanboys by arguing that it’s the first time we do so this month, but we know everybody sees through us and the lies we tell ourselves. Well, until Lachlan and AAC starts to disappoint us, we will continue to praise the label’s merits and its amazing roster. This time, it’s an Australian-American band: Sydney’s and New York’s Ground Read more

EXCLUSIVE PREMIERE: Patrick Shiroishi – “The Screams of a Father’s Tears”

Japanese-American saxophonist Patrick Shiroishi, whom we’ve come to spect and respect for his involvement with some of the best and craziest music acts out there – like Upsilon Acrux, Corima, Sewing Circle, and Nakata, to name a few –, is going to release new music under a his solo moniker with the album Tulean Dispatch. The project deals with the Tule Lake internment camp, where his Japanese grandparents were placed during World War II. The album not only reflects on these past events but draws parallels to what is happening today in the world and the USA. It’s a … Read more

Fissures, Ni, Lou Kelly, Playgrounded, Frequency Eater, Golden Hymns Sing ‘Hurrah’, Zenxienz, Cryptic Fog, and Keith Price


FissuresThe Long Winter Demos
You might remember, back in 2013, Slice the Cake’s singer releasing one song – “I” –, under the Fissures moniker; a sort of progressive, atmospheric post-metal track. The rest of it would not be released until 24 October 2017 as The Long Winter Demos, nine tracks and one hour long. The whole album is quite good and really promising as far as being a demo. I suggest you take a look!


NiDedoda
I got really excited when I saw something about a new release from Ni, one of my favourite French… Read more

Gershlauer, Fiuczynski, DeJohnette, Garrison, and Mikadze – Mikrojazz! Neue expressionistische Musik



They’ve done it! Again, perhaps, but Mikrojazz!, with the subtitle Neue expressionistische Musik (New Expressionist Music), is the latest, and arguably one of the first, completely microtonal jazz records to come out. With the combined talents of Philipp Gerschlauer on saxophone, David Fiuczynski on fretless guitar, Jack DeJohnette on drums, Matt Garrison on fretless bass, and Giorgi Mikadze on keyboards, Mikrojazz! has all the fuel it needs to develop xenharmonic compositions for jazz. Does it deliver? Yes, it does, but not without a few criticisms of mine. The players take up the challenge of writing and playing jazz in … Read more

Ariadne – Stabat Mater

On 27 October, New York’s experimental electronic multimedia duo Ariadne will release their long-awaited fourth album, titled Stabat Mater. While I wasn’t initially fond of their previous release, Tsalal, it grew on me tremendously, leading me to believe I might simply have not been ready yet for this sort of experience. On Stabat Mater, however, Christine and Benjamin take things to a whole new level. Here, songs are shorter, but there are a lot more of them: twenty, in total – but it could be argued that there is only one, a fifty-minute giant split into various … Read more

Special Providence – Will

The Hungarian jazz fusion metal quartet Special Providence has got me hooked since their album Essence of Change. Their newest work, Will, is an all-around improvement over the former, though, and to tell you this was unexpected without sounding like I’m discrediting the band is difficult, but it’s just to show how impressive I thought Essence of Change was. Yet, Will is even more so. The four talented Magyars put their chops on display in all of the ten songs on the album, by offering tremendous solos, odd-timed riffs with many a rhythmic complexity, and all that with … Read more

Tweet Tweet – Bearer

Tweet Tweet is a soft experimental project from Steve Pardo; it hovers between indie music, folk, and experimental pop. Bearer was released on 20 October and accounts for almost thirty minutes of gentle compositions with soaring flutes, saxophone, and vocals from Lindley Cameron. Some parts sound like some beloved passage on a Sufjan Stevens recording – one known to favour flutes in his compositions –, some are more electronic, with low fidelity guitar recordings supporting the uncertain woodwind notes, some still are almost like a singer-songwriter piece, but all undeniably appeal to the listener’s soft side with whispered notes to … Read more