We’ve been somewhat mystified by Spires of the Lunar Sphere‘s debut, back in 2015, so their newborn with a most megalomanic title, Siren (Take the Fair Face of Woman and Gently Suspending with Butterflies Flowers and Jewels Attending Thus Your Fairy Be Made of Most Wondrous Things), has less of that bewildering factor. That being said, it doesn’t mean it’s bad – far from it –, just that you only make a first impression once. Still jumping between metalcore, post-hardcore, mathcore, and deathcore, the duo takes its idiosyncratic eccentricity to extremes of peculiarity and heaviness. Think Arsonists Get … Read more
Altarage is a sickening death metal band from Spain. Their penultimate release – Nihl – was heavy and muddy and dissonant, and their newest one keeps that ball rolling. Endinghent was released on 13 October, and it’s ripe with forty minutes of the same breed of what’s commonly called avant-garde death metal. Think Ulcerate, Portal, you’re in the right frame of mind. While I would contest the avant-garde label, it’s a great album with a contemporary view on harmony and dissonance, and the chops to sit alongside other better-known names of the same ilk. The guitars are disgustingly heavy and … Read more
We recently often write about bands who bridge post-hardcore and progressive metal, it seems, and some also other genres, but here’s one that almost uncompromisingly links it with black metal. Redshift Pilots released their debut full-length album, Moonlight Synthesis, in early October. It impatiently shows its black colours with fervent blast beats and tremolo picking riffs, but then sways into atmospheres of post-rock and post-hardcore ambiances seamlessly and in an honestly impressive manner. Sure, some tracks stay more on one side than the other, like “Overgrown”, which is almost entirely post-rock, but has a blackgaze twist near the end, … Read more
Barren Plains – Adrift
Barren Plains’ debut is a four-track EP of some great post-metal. The instrumental band builds strong atmospheres upon repetition and evolution of riffs and themes on top of odd-time measures. Each of the untitled tracks is as poignant as the previous one, which results in a memorable release. Name your price on bandcamp!
Dawn Ray’d – The Unlawful Assembly
This British black metal with a folk music tinge group makes wild songs, and The Unlawful Assembly is no exception. Wilfully atmospheric and at times chaotic, it’s an aggressive and vindicative album to revolt to.
Cervidea –… Read more
The Minnesota trio Not from Here puts a twist on the regular mathcore formula: the expected bass guitar is here replaced by a cello. This alternative lineup gives way to an interesting contemporary classical facet to the band’s music, most strikingly on their kétjegyű szók, “Ab”, “De”, and “Ex”, while being underlying in all the other tracks. Speaking of which, the songs on their self-titled sophomore release range from caustic mathcore to post-hardcore, with drafts of polyrhythmic sludge – the ending of “Should Certain Conditions Arise” –, drone metal, and progressive metal. It’s all instrumental, giving the music ample … Read more
Kurws are a peculiar entity. Alarm is their most recent release, and is almost embarrassingly good. “Nagonka” readily baffles you with its odd polyrhythmic bouncing groove accompanied by saxophone and recording artefacts left in. It’s composition aimed at emulating free improvisation, or is it? It doesn’t matter, the result is the same: Alarm is disconcerting and wild! The Polish quartet certainly continues to experiment with music and push themselves on the brink of cohesion. Thanks to analog tape recording, the texture of the sound is at times very grainy, giving even more consistency to the aural soup we’re served, which, … Read more
The Italian progressive metal quintet Moebius are preparing for the release of their debut album, Hybris, on 20 October. To do so, they’ve sent me an early copy of it, and I liked it enough to write about it! Yes, Hybris is an almost hourlong concept album on metals and minerals, it seems. It starts off interestingly with the track numbered “00” – “Inflection II” –, which is a didgeridoo and percussions jam, but the rock starts with “Obsidian”. Between groove metal and progressive death metal, the rest of Hybris impresses. The band’s music puts a lot of emphasis … Read more
I Like to Sleep – Bedmonster
Norwegian jazz force I Like to Sleep just released the fusionesque Bedmonster, a forty-minute disc of aggressive and sinuous jazz-rock fronted by vibraphonist Amund Storløkken Åse and supported heavily by Nicolas Leirtrø and his heavy baritone guitar riffs. Their soundscape cruelly lacks the presence of a bass guitar, but it’s somewhat attenuated by the low notes of the guitar. The album came out on 6 October, and it’s very good!
Kucoshka – Rad Tantrum
What brought me to this album is the sheer ridicule of their cover art, but what kept me listening… Read more
After their Ages EP tetralogy, Australian progressive black metal band Hybrid Nightmares gaze upwards towards the skies. Almagest is their new conceptual full-length album, and takes you on the journey of the Pilgrim, an unnamed automaton, going to various cosmic spheres in a quest to balance spirituality and reason. Basically, it’s a science-fiction retelling of many classical philosophy concepts. It’s quite rare that black metal bands of that ilk look to the future and out into space, although not unheard of, and Hybrid Nightmares is a strong quintet capable of putting this idea into reality and making it truly enjoyable … Read more
Naeramarth is a progressive metal band from Salk Lake City, and their debut album, The Innumerable Stars is coming out on 20 October. Stating influences as varied as Ihsahn, Leprous, Enslaved, and Opeth, Naeramarth cover an impressive range of metal genres, from black metal to doom metal, with a lot of straight-up progressive metal and prog death in-between. “Asterisms” is a pretty much perfect example of this, it covers well progressive black metal, with a very Opethian acoustic guitars corridor in the middle. Thanks to its 8:50 runtime, each part has the time to breathe, but its only about half … Read more