With a slightly different approach than previous iterations of our yearly compilation, Year 5 is complete and will come out on July thirteenth, Thursday. In order to highlight the change, it doesn’t continue the Melocules – literally little music – series. Instead of regrouping songs at the whim of me and other collaborators, Year 5 compiles songs from albums that we have mentioned in our ‘Monthly Recommendations’ posts. So, it’s really a recap of the year, hence the title. All of what you hear is music that has been released from July 2016 to June 2017 inclusively. We have been … Read more
Texan avant-garde chamber music ensemble Vmthanaachth, after expanding our minds with their debut, Fit secundum regulam, prepare for their sophomore release, Inferotemporal. Out on June twentieth, the album, which offers more than an hour of new challenging material, will come out on their bandcamp page along with its physical version. We have the pleasure of being the first to bring you the closing track. At over twenty minutes long, ‘Holographic Speleothems Firsting a Hugeness of Twilight’ is quite a journey (that’s an understatement). It’s harsh and comforting, brilliant and pitch black… It’s its own antithesis, and, instead … Read more
We are pleased to present a live video of Ikarus performing ‘Ryuujin’ off their most recent album, Chronosome.
Ikarus is a Swiss contemporary jazz band with an interesting configuration. They take a typical acoustic jazz trio composed of piano, bass, and drums, and add two scat vocalists – one male and one female – to the mix. This results in a highly unique sound defined by sublime vocal interplay underlaid by dynamic compositions.
The human voice, unbound by language, is more versatile than any other instrument one might use. Ikarus certainly proves that with their stellar performance. The rhythm … Read more
French avant-gardist black metal project Les chants du hasard
release their debut, self-titled album on June twenty-third. We’ve already reviewed the amazing and forward-thinking album right here
, but, today, we team up with the band and I, Voidhanger Records
to bring you a new song in anticipation of the release.
‘Chant I: Le théâtre’ is the album’s first track, and it puts all on the table. You’ve got the whole orchestra with their melancholic and slightly dissonant beauty, the gravelly and pitiless vocals, as of a decadent opera, sing hopeless lyrics in this devoid of any light chant. It … Read more
Others by No One is a new, flourishing American progressive death metal band, and they’re releasing their debut album, Book I: Dr. Breacher, on June eleventh. At first glance, it’s the band that resembles the most what Native Construct achieved: fast-paced, technical progressive metal that’s quirky and theatrical, and also deeply cast in musical theory. There’s more to it than that, obviously – there’s a rather strong Between the Buried and Me vibe, as well as hints of Haken and The Dear Hunter throughout -, but the general picture is that of a Native Construct 2.0. Is that a … Read more
Japanese math rock trio Tricot just released their third album, the aptly-named 3. At over forty-five minutes long, you’re certain to have more than enough music to binge on and put on repeat for a while. The crew brings their best game, and the tunes on their newest release are fun and instantly likeable. One remark I have to make is that the songs are pretty straightforward and uninventive, and that it would be great to see them explore new territory in the future.
Let’s stay in Japan, and move over to a band called Paris Death Hilton. … Read more
Previously behind the Gentilhomme moniker, the anonymous musician from Quebec City now masterminds Soliloque, on this debut EP, Solution to Solitude. This solo progressive metal project oozes of Plini worship, but there’s more to it than mere imitation. Although the same senses of songcrafting and shiver-inducing melody are present here, Soliloque’s take on the style digs much deeper on the often-forgotten aspect of rhythmical complexity. The opening song, ‘Context’, is the prime example of this; 7/4 morphs into 15/16, to 11/8, and to other peculiar deconstructions of irregular hypermeasures. We truly need more music like this. The whole … Read more