This question is the first thing crooned by vocalist-and-guitarist Stian Økland on Seven Impale‘s sophomore album, Contrapasso. It was also the question burning in my mind after several months of listening to their debut album, City of the Sun, which was my favorite record of 2014. I’ve heard plenty of bands with elements of both jazz and prog rock, but never one that truly synthesizes those styles in perfect balance. Typically you can feel whether a band is rooted in jazz and incorporating some elements of prog or vice versa. With this … Read more
In a remote cabin, at the base of some foggy mountain, lived a hermit, who knew only two things in life: survival, and progressive rock. One morning, he looked through his collection, in reverse chronology – Spock’s Beard, Dream Theater, Marillion, Van der Graaf Generator – and settled on a record by Egg, which he dusted off and began to place on his turntable. Just then, a quite unexpected knock came at the door. Answering it, he saw a man much younger than himself, panting breathlessly from his journey.
Hailing straight from the country of Belarus, Eximperituserqethhzebibšiptugakkathšulweliarzaxułum gained attention to the public eye with their demo, in 2013, because of their absurdly lengthy and convoluted band name and song titles, but remained in our mind because their music was frankly good. They’re playing some [very] brutal death metal with a touch of tech-death and atmospheric thrown in for good measure. Moreover, behind the name lies hidden a very interesting, occult world and concept. It is, according to the band itself, an agglutinative neologism, with loans from Latin, Ancient Egyptian, Akkadian and Sumerian terms of “the Chaosatanic tradition”. I quote, … Read more
I’ve been a huge fan of this band since November 2012, just a couple of weeks after the release of Endorphinia, their latest – and last – album. I can’t exactly remember how I discovered Follow the White Rabbit… Was it a friend’s recommendation? A blog mentioned it? A post on some music forum? I don’t know, but I just want to thank that person. Endorphinia has followed me through three years and a half now, and yet I never wrote a fully detailed review on it. I did mention it a couple times, here and there, … Read more
Losing someone you love or care about is a moment that every human being endures at some time of their life; it is often described as a period of grief that takes enough time to overcome and it is represented in many ways depending on the people it affects. For Australian post-metal band We Lost The Sea, tragedy struck hard when their singer and friend, Chris Torpy, took his own life in early 2013. The band decided to move on and carry the legacy of their fallen brother; reinventing themselves with their 2015 release Departure Songs, creating a … Read more
The Swiss avant-garde black metal band Schammasch – name taken from Šamaš, the Mesopotamian God of Justice – will release their third full-length album, simply titled Triangle, on April 29th. As the name suggests, the concept of this highly ambitious work is tripartite, each side clocking in at 33:30. Yes, that makes for more than a hundred minutes of music! Inspired by Richard MacDonald‘s sculptures, the cover album portrays circus artist Sasha Krohn, falling into nothingness, photographed by Ester Segarra. Every side of the Triangle has its own identity, and feels very unique, they deal with various concepts, … Read more
I wasn’t introduced to Haken until early 2014 when I discovered their 2013 release The Mountain. I loved that album and immediately listened to the rest of their discography. Later that year, they released their EP Restoration which was an awesome look into their past, re-imagining and re-recording songs from their demo with higher production quality. Now, nearly two years later, we’re graced with a new full-length album called Affinity.
If you followed Haken’s facebook page closely in January of this year, you might have seen them post a few times about the name and content of the … Read more