You’re Welcome is an impressive debut EP of progressive jazz from Watchdog, a new French duo consisting of keyboard and clarinet.
Joe Santa Maria has given us a diverse and intriguing EP in Echo Deep that morphs back and forth between quirky minimalist jazz and chamber music that trades percussion for strings.
Looping sax overdubs combine to form experimental, minimalist, atmospheric jazz on Johnny Butler‘s Carousel.
The title may no longer be accurate, but Family Junction‘s Never Released Greatest Hits is an interesting and well-executed blend of prog rock and indie rock sensibilities.
Israeli prog/fusion trio … Read more
Kurushimi is a new collective of sorts including members of Serious Beak, Instrumental, adj. (bands we have covered here on CTEBCM!), Fat Guy Wears Wolf Shirt, as well as a few other members. They just dropped their self-titled debut on Art as Catharsis, and I’m going to be up front with you: there is no point trying to attach genres to this (so naturally we’re going to try it!). Like all great music, it defies easy attempts at description and categorization.
The first question that came to me upon hearing of this project: What does Kurushimi mean, anyway? Knowing nothing … Read more
“Retro” is a term that to some, applies solely to bands that are derivative, stagnant, unoriginal, uncreative, and too mired in the past to produce anything of value, like your dad’s bar band. I must say that retro psychedelic progressive rockers AJ Froman prove beyond a reasonable doubt that this is not true at all on their latest release, Phoenix Syndrome (well, not necessarily true, anyway).
Everything here sounds like it could have plausibly been written and recorded in the 1970s. The riffs, bass lines, and synths wouldn’t sound out of place at all. I mean no disrespect by that … Read more
Amsterdam’s Spinifex erupt with chaotic intensity on Hipsters Gone Ballistic, a set of avant-punk-jazz aberrations that are simultaneously crushing, refined, and unpredictable.
Based on his incorporation of retro synths into his cutting edge jazz fusion style, I get the impression that Evan Marien is a fan of chiptunes, however his production skills and bass chops help put his latest release, Artifacts, on an entirely different level.
The debut Advent EP from blackened folk metallers Wandering Oak is a promising display of occult darkness forging a distinct identity without forgetting the roots from which it sprung.
Satan’s Secret is … Read more
Oxford, UK’s progressive fusion duo Bambino dell’Oro‘s latest album Los Belvos is a set of sumptuously textured modern jazz pieces underlaid by complex grooves. The core of the band is made up by two multi-instrumentalists specializing on drums and piano/keyboard respectively, but they also have a bassist with them most of the time and occasionally a soprano sax player as well on this release.
The album’s overall feel is energetic, effortlessly flowing between odd time signatures that are given time to breathe without overstaying their welcome. They make strategic use of a wide texural palette including instruments such as … Read more
The second release from Argentinian avant-garde jazz sextet Sales de Baño is Horror Vacui, an intriguing live performance. The ensemble is led by bassist and composer Carlos Quebrada, and also features flute, trumpet, keyboard, guitar, and drums. They definitely play “outside” a lot, but what I appreciate here is that it’s often difficult to tell what is composed and what is improvised. Quebrada has done an excellent job, at times approaching a sophisticated chamber music sound and at others harsh avant-noise.
At first, it may seem that the playing here is somewhat aimless in the way that avant-garde music … Read more
Reed player Sha has made a name for himself over the years among fans of the Swiss “zen funk groove” school of jazz pioneered by Nik Bärtsch and Don Li among others. The full-length debut from his project Sha’s Feckel, Feckel for Lovers, is a diverse and dynamic set of heavy jazz fusion tunes. Featuring Sha on sax together with a guitar, bass, and drums trio, this group weaves huge riffs with odd grooves within engaging and thoroughly fearless compositions.
The album starts out with “A,” a 13 minute piece that gradually crescendos from somber, pensive fusion to … Read more
Munich, Germany’s Panzerballett has been one of my favorite bands for some time now. Merging the intricate brutality of progressive metal with the grace and elegance of modern jazz together with a dash of German humor and a healthy awareness of how bizarre this combination is, they are in my opinion one of the most original and virtuosic bands active at this time. Their fifth full length album, Breaking Brain, sufficiently expands on the formula that they’ve developed over the years and manages to meet my high expectations yet again.
Featuring a sax player in what would otherwise be … Read more
Prog rockers Thieves’ Kitchen hail from the UK and Sweden. Their sixth full-length album, The Clockwork Universe, charts a course through spacetime to a destination somewhere in 1970s Canterbury, UK. The jazz and folk infused style of progressive rock particular to this spacetime neighborhood, rather than being an obsolete relic of the past, still boasts untapped veins of creative gold. Along the journey, we’re treated to a sprawling 20 minute prog epic, as well as a couple instrumental and percussion-less tracks that sound more like contemporary classical chamber music than any kind of … Read more
Irish math fusion act Alarmist are dropping their full-length debut, Popular Demain, on November 2, and at only one week away, my excitement is palpable. Of the two tracks currently available for streaming, we’re treated to some sweeping, cinematic jazz progressions supported by an arithmetical rhythmic core. At times it’s uplifting, yes, but in harmonically rich and complex ways characteristic of fusion. Think Jaga Jazzist meets Battles and you have a fairly good idea of what to expect. The album will be available on Bandcamp, where you can also check out their existing EPs.… Read more