Coming out on the nineteenth, Perfect Beings‘ third album, Vier, excels at making new symphonic progressive rock. As soon as the four-part opening track “Guedra” starts, you know what you’re getting into. If the polyphonic vocal introduction didn’t sell it, maybe the next, odd-metred riff with accompanying woodwinds solo will. Still not convinced? Just let the polymetric backing track to the next solo sink in! My point is that the album is filled to the brim with fascinating moments, if you take the slightest moment to analyze them. Indeed, they are so well crafted that they aren’t jarring … Read more