Philadelphia post-metal quintet Rosetta released their sixth full-length album Utopioid last week, and I figured I owed it to the band I named my daughter after to give their new offering a review. The troupe has been around since the peak of post-metal saturation; their debut, The Galilean Satellites, was released in 2005, right alongside undisputed classics like Isis’ Panopticon, Cult of Luna’s Salvation, and Neurosis’ The Eye of Every Storm. For my money, The Galilean Satellites – released as a metal side and an ambient side designed to be played simultaneously – is the pinnacle … Read more