Last week, I’ve announced that I would be doing a Questions & Answers/Ask Me Anything type of post, and so this is it! I’ve received some questions over on facebook and on the website, so I’ll answer them the best I can here in this post!
First let’s see what’s on the website! First comment comes from James Marshall:
Just want to say that I love the blog! It’s in my daily bunch of webcomics and blogs and news that I check every morning when I get into work. Thanks for all the great recommendations!
Thanks a lot! … Read more
We recently discussed a band that takes math rock to the extremes in terms of technical skills, to the detriment of the ‘math’ aspect, but here’s a band that does the opposite. Marateck don’t play thirty-second notes and they don’t quickly arpeggiate extended chords, but they ingeniously integrate polyrhythmics and polymetrics into often odd-time signature compositions. This is more evidently displayed on their debut album, Time Is Over, which was released on July eleventh. Of course, playing such counter-intuitive timings and measure subdivisions is a technical feat in itself, but it unfortunately garners much less attention than playing … Read more
Spring and Summer are the two first releases of the Wildflowers tetralogy, but, as I’ve just come across this project, I’ll write about both EPs at once. Nhor was a British atmospheric black metal band who released a transcendental album in 2013, Within the Darkness between the Starlight. Since then, however, the project seems to have remained focused on the softer side of things, with 2015’s Momenta quintae essentiae and following shorter releases. All of their catalogue displays the same high standards of quality despite the genre change. The newest comers are the first two parts of Wildflowers, … Read more
Jute Gyte‘s sole member, Adam Kalmbach, is said to take some sort of break, or hiatus, after Oviri, the closing chapter of what I’ll call ‘The Colours Trilogy’. The only things that are in the works are a rumoured split release and an electronic music album for 2018. The end of an era is always something to grief, but also a moment to look forward to new beginnings. In the meantime, however, let’s discuss this latest progeny. Adam talked about striving to unite the two major aspects of his creative mind: the electronic and the black metal. Nowhere … Read more
With a slightly different approach than previous iterations of our yearly compilation, Year 5 is complete and will come out on July thirteenth, Thursday. In order to highlight the change, it doesn’t continue the Melocules – literally little music – series. Instead of regrouping songs at the whim of me and other collaborators, Year 5 compiles songs from albums that we have mentioned in our ‘Monthly Recommendations’ posts. So, it’s really a recap of the year, hence the title. All of what you hear is music that has been released from July 2016 to June 2017 inclusively. We have been … Read more
California’s math rock band Bisonwar is what I want to see more of from this genre, and what it was originally set to do: a focus on instrumental prowesses, all the while borrowing slightly from jazz for its harmony but keeping it all generally easygoing. Well, the band’s debut self-titled full-length does just that, and more! The only thing it lacks is odd measures. While math rock has always been fascinated with guitar, Bisonwar shares the spotlight equally between the guitarist Joe and the bassist Peter. There is an abundance of parallel riffs – where the bass plays the same … Read more