Last week, I’ve announced that I would be doing a Questions & Answers/Ask Me Anything type of post, and so this is it! I’ve received some questions over on facebook and on the website, so I’ll answer them the best I can here in this post!
First let’s see what’s on the website! First comment comes from James Marshall:
Just want to say that I love the blog! It’s in my daily bunch of webcomics and blogs and news that I check every morning when I get into work. Thanks for all the great recommendations!
Thanks a lot! … Read more
We recently discussed a band that takes math rock to the extremes in terms of technical skills, to the detriment of the ‘math’ aspect, but here’s a band that does the opposite. Marateck don’t play thirty-second notes and they don’t quickly arpeggiate extended chords, but they ingeniously integrate polyrhythmics and polymetrics into often odd-time signature compositions. This is more evidently displayed on their debut album, Time Is Over, which was released on July eleventh. Of course, playing such counter-intuitive timings and measure subdivisions is a technical feat in itself, but it unfortunately garners much less attention than playing … Read more
Spring and Summer are the two first releases of the Wildflowers tetralogy, but, as I’ve just come across this project, I’ll write about both EPs at once. Nhor was a British atmospheric black metal band who released a transcendental album in 2013, Within the Darkness between the Starlight. Since then, however, the project seems to have remained focused on the softer side of things, with 2015’s Momenta quintae essentiae and following shorter releases. All of their catalogue displays the same high standards of quality despite the genre change. The newest comers are the first two parts of Wildflowers, … Read more