Ontario’s Grizzly band just released their second publication, Reaper, and it rips. Don’t get fooled by the opener, ‘Grave’, this is not horror ambient, but rather some crushing and technical experimental grindcore. You can see this right on the second track, but they keep on providing extra crunchy riffs with weird timings and rapid successions of notes. Though it is barely more than ten minutes long, excluding the Pantera cover at the end, this EP shreds mountains. I guess mathgrind wouldn’t be too far-fetched a description, as it certainly has aspects of both mathcore and grindcore working together. Reaper … Read more
Between noise and hardcore, Austrian group It’s the Lipstick on Your Teeth just released the highly-anticipated Skintrade, a thirty-minute escapade into noise punk that will leave you asking for more. Michelle’s aggressive yet melodic vocals are at the forefront of the band’s assault, which is heavily complemented by synths and samples, which make up most of the background instrumentation. Although quite short, the album is not short of great moments, either memorable melodic phrases or sublime digital bombardments. In conclusion, Skintrade is a very worthy addition to your noise punk playlist.
Coming all the way from Singapore, progressive indie rock band Sub:Shaman just released their most recent album, Apnea. Consisting of nine explorative tracks, this forty-five minute magnum opus intertwines a wide variety of genres into the band’s own style and vision. Progressive rock, math rock, indie, and jazz all partake in the melting pot that is Apnea. The alternative quintet will use scat singing, pulsating electronic notes, dissonant chords, odd metres, and seventh chords to their advantage, and it creates something greater than the sum of its parts. I didn’t remember why I followed this page on bandcamp, but … Read more