Danish and American bands LLNN and Wovoka unite on a split album regrouping the former band’s part, Marks, and the latter’s, Traces. The synth-tinged blackened doom of LLNN is perfect for a soundtrack to pessimistic futurism, with its slow, droning, and heavy riffs atop which the singer screams his wrath. The six tracks of this first side make up a little less than twenty minutes, the same as Wovoka’s single song, ‘Traces’. While I was unfamiliar with the Denmark armada, Wovoka’s latest album, Saros, stuck with me as an example in post-metal. They’ve put yet another badge … Read more
Note: this bandcamp stream contains only an early version of one track and not the final version I listened to for this mini-review.
Les chants du hasard is a mysterious solitary project from France that’s throwing the traditional metal instruments by the window in favour of a completely orchestral work. The classical instruments are joined by the delirious voice of the so-called Hazard, only soul behind the ambitious project. The synthetic orchestra is convincing enough, except a rare few occasions where their electronic nature pierces through; the main culprits are the percussions. Easily disregarded, this minor detail should not obscure … Read more
Others by No One is a new, flourishing American progressive death metal band, and they’re releasing their debut album, Book I: Dr. Breacher, on June eleventh. At first glance, it’s the band that resembles the most what Native Construct achieved: fast-paced, technical progressive metal that’s quirky and theatrical, and also deeply cast in musical theory. There’s more to it than that, obviously – there’s a rather strong Between the Buried and Me vibe, as well as hints of Haken and The Dear Hunter throughout -, but the general picture is that of a Native Construct 2.0. Is that a … Read more